An online project under the direction of the CAPE ANN MUSEUM
inv. 184
Southwest Harbor, Mount Desert
1852 Graphite on paper (2 sheets) 10 1/2 x 31 3/4 in. (26.7 x 80.6 cm) Inscribed across bottom (in pencil): Southwest Harbor, Mt. Desert. Aug. 1852 / Taken from Sloop Superior at anch[or ...] / by F.H. Lane; Inscribed lower center (in pencil): Lane / Witherle / Tilden / Stevens / Adams
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Historical Materials
Below is historical information related to the Lane work above. To see complete information on a subject on the Historical Materials page, click on the subject name (in bold and underlined).
Chart
U.S. Coast Survey
Chart with key showing the route of an excursion on the sloop "Superior" out of Castine made by William H. Witherle, Lane, Stevens and friends during which Lane made several sketches of Mt. Desert scenery. The trip was chronicled by Witherle in his diary of 1852.
Personal diary
Wilson Museum, Castine, Maine (A00060-1a-1h)
Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.
Excerpts of the diary include:
August 16: "Lane has a knack for frying fish."
August 17: "leaving Lane to take a sketch, we took a climb."
August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."
The entire text is transcribed in an account published by the Wilson Museum.
View related Fitz Henry Lane catalog entries (6) »
Filed under: "Superior" (Sloop) » // Adams, Samuel, Jr. » // Biographical information » // Blue Hill » // Castine » // Chronology » // Diaries / Ledgers / Etc. » // Mount Desert Island & Rock » // Somes Sound » // Stevens, Joseph, Jr. » // Tilden, George » // Witherle, William Howe »
Mount Desert was in the Frenchman's Bay Customs District, and in 1850 the district ranked 4th, at 11.2%, among Maine's 13 customs districts, for its investment in the cod fisheries. The thick, old-growth forest provided ample opportunity for sawmills and the export of pine lumber and timber, as well as shipbuilding, which went hand-in-hand with fishing vessels for the cod fisheries.The coasters of the island found ample freight in the shipment of lumber from the sawmills of the Union River at Ellsworth. The rugged interior of the island limited settlements to the coastal fringe, creating a number of independent, isolated communities. Mount Desert's small fishing and farming communities, in the early 1850s, were set like small diamonds in an incredible crown of natural beauty. These small, isolated villages, clinging to a jagged coastline which stood resolute against the breaking sea, would have reminded artists like Lane of an America untouched by the progress of time. This was New England as it had once been, and there were few places in coastal New England where this claim could still be made.
Mount Desert, as it is colloquially known, has been known by many names throughout its history. The Etchemin called it Pem-etn-ic, "a range of mountains," as seen from the sea, "where the hills rise in a long saw-toothed range," Champlain called the island, notable for its granite mountains, of which one rises 1530 feet , "Isle des Monts Deserts," "barren mountains Island," and Sieur de la Mothe de Cadillac, who was granted a large tract at the head of Frenchman Bay in 1687, called Douaquet. Cadillac is one of a number of Frenchman whose presence in history is denoted by Frenchman's Bay.
At the beginning of recorded history Asticou was an Etchemin Sakom who lived seasonally on Mount Desert with his band. His larger homeland, Ketakamigwa, "the big land on the seacoast," was "an ecologically diverse coastal woodland environment, combining a saltwater archipelago with a 1000 mi.² freshwater hinterland broken by hills, swamps, lakes and ponds, and drained by a few major rivers in numerous smaller streams." The highly mobile Wabenaki families, ethnically identified as Etchemins, inhabited Penobscot Bay, making full use of the abundance of natural resources, including the building of a fish weir, K'chi-siti-mokan'gan, "The Great Fish Weir," between Little and Big Deer Isle, from which Eggemoggin Reach is derived), and shaping the natural environment to suit their needs.
Asticou, or members of his band, were on hand to greet Champlain in 1604, and he was at Manchester Point in 1613 when Father Baird and three Jesuit priests dropped anchor on their way to establish a Catholic mission on the Penobscot River. Asticou invited them to stay, the invitation was accepted, and the mission of St. Sauveur at Fernald Point began to be built. The work had barely begun when the mission was destroyed by Capt. Samuel Argall, an English privateer from Jamestown.
Champlain named Mount Desert but left its sentinel rock, 26 miles off shore, unidentified. The island was given the name of Mount Desert Dry Rock in the 18th century, and shortened somewhat after this. The island served as a navigational aid, not a hazard, for coastal seamen. The US government purchased this pile of rocks from the State of Maine in 1829, there surely must have been a few laughs over this transaction, and the government authorized $5000 to build a light station, which began operation in 1830.
– Mark Honey
References:
Conkling, Philip W, "Islands in Time," A Natural and Cultural History of the Islands of the Gulf of Maine, Island Institute, Rockland, and Downeast Books, Camden.
Eckstorm, Fannie Hardy, "Indian Place-Names of the Penobscot Valley and the Maine Coast," University of Maine Studies, 2nd Series, #55, November 1941, reprinted 1960 by the University of Maine Press. Frank G Speck's "Penobscot Man," University of Pennsylvania Press, 1940.
Duncan, Roger F, "Coastal Maine, A Maritime History," WW Norton & Company, New York, 1992.
Prins, Harald E L, and McBride, Bunny, "Asticou's Island Domain: Wabenaki Peoples at Mount Desert Island," 1500-2000, Acadia National Park, Ethnographic Overview and Assessment, Volume 1, repaired under cooperative agreement with The Abbe Museum, Bar Harbor, Maine, Northeast Regional Ethnography Program, National Park Service, Boston, Massachusetts, September, 2007.
Rowe, William Hutchinson, "The Maritime History of Maine," Harpswell Press, 1996.
Newsprint
Gloucester Daily Telegraph
Article by Joseph L. Stevens
"The beauties of this place [Maine] are well known and appreciated among artists. We heard of Bonfield and Williams who had reluctantly left but a short time before. Fishe had spent several weeks there. Champney and Kensett were then in another part of the island, and we have reason to believe that Church and some others were in the immediate vicinity–Lane who was with us, made good additions to his portfolio."
Newspaper
Gloucester Telegraph p. 2, col. 3
Boston Public Library
Accession # G587
"PICTURES. – Two of Lane's finest paintings are on exhibition at the Marine Insurance Reading Room. One is a most spirited representation of a gale on the sea coast. Huge rollers come rumbling towards the rocky foreground where the spray dashes high and the receding wave is thrown up sharp and wedgelike by the great crested breaker under which it is speedily overwhelmed. In the middle distance a bald headland receives the sun's rays which slant through the mist from an opening in the heavy clouds. A close reefed ship leaps proudly over the waves and safely weathers the dangerous point beyond.
The companion-piece is a bay scene in which the setting sun throws a flood of golden light over the placid water. Vessels of different kinds, with sails in light and shadow, enliven the picture. A homely old sloop getting underweigh well sets off the most prominent object - a handsome ship under full canvass, slowly gliding over the ground-swell with a light breeze afloat, while there is hardly enough below to make a cat's paw.
These pictures were painted for the spring exhibition of the National Academy at New York, whither they will go unless stopped by some appreciative purchaser.
In Lane's studio are several gems of art. - Wind against Tide on Georges, a stirring pure marine, and Recollections of Mount Desert, an exquisite bit of landscape, evince a versatility of pencil which he is not generally known to possess.
The demand for a View of Gloucester worth having (as that poor caricature of Tidd's is not) has induced Lane to supply another, which is the third and largest of his series. It is taken from Rocky Neck, like its predecessor. Of course all the modern improvements visible from that point of view are represented with the artist's usual accuracy of drawing. To the first 300 subscribers the print will be offered at the low price of $2.25 per copy. The original painting from which it is lithographed, and several other of his pictures, will be distributed by lot among those who choose to take their copies at $2.75 – a price which the print alone will command before the entire edition is exhausted."
Chart G
Charles G. Hutchinson, Publisher
Private Collection
George W. Eldridge was a Boston-based publisher of charts, pilot books, and tide tables for yachtsmen cruising in the New York–New England region. Detail of the Mount Desert portion of a much larger chart.
Also filed under: Maps » // Northeast Harbor » // Somes Sound »
Chart
U.S. Coast Survey
Chart with key showing the route of an excursion on the sloop "Superior" out of Castine made by William H. Witherle, Lane, Stevens and friends during which Lane made several sketches of Mt. Desert scenery. The trip was chronicled by Witherle in his diary of 1852.
View related Fitz Henry Lane catalog entries (6) »
Also filed under: "Superior" (Sloop) » // Castine » // Penobscot Bay » // Southwest Harbor » // Witherle, William Howe »
Illustration
"U.S. Coast Pilot, Atlantic Coast, Parts I–II." First edition. Published by Washington GPO, 1891
Folded plate between pp. 62 and 63
Also filed under: Bear Island » // Maps » // Northeast Harbor, Maine – Bear Island Lighthouse » // Southwest Harbor »
Photograph
From The Illustrated Coast Pilot with sailing directions. The Coast of New England from New York to Eastport, Maine including Bays and Harbors, published by N. L. Stebbins, Boston, Mass.
Also filed under: Mount Desert, Maine – Mount Desert Rock Light »
Wilson Museum, Castine, Maine.
Library of Congress Catalog Number 2011588006
1860 map, including census of towns.
Also filed under: Castine » // Maps » // Penobscot Bay »
Personal diary
Wilson Museum, Castine, Maine (A00060-1a-1h)
Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.
Excerpts of the diary include:
August 16: "Lane has a knack for frying fish."
August 17: "leaving Lane to take a sketch, we took a climb."
August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."
The entire text is transcribed in an account published by the Wilson Museum.
View related Fitz Henry Lane catalog entries (6) »
Also filed under: "Superior" (Sloop) » // Adams, Samuel, Jr. » // Biographical information » // Blue Hill » // Castine » // Chronology » // Diaries / Ledgers / Etc. » // Somes Sound » // Stevens, Joseph, Jr. » // Tilden, George » // Witherle, William Howe »
Southwest Harbor and Northeast Harbor flank Somes Sound of Mount Desert. The harbor is shared by two small villages, Manset, to the south, and Southwest Harbor and Clark Point to the north.The community often sent fishing vessels to the Labrador fleet. The swelling tide of artists, sightseers, philosophers, and pilgrims in the 1830s, '40s, and '50s would inspire such entrepreneurs as Deacon Henry H. Clark of Southwest Harbor, a shipwright, to build hotels to accommodate the travelers. This was a growth industry would sustain the prosperity of the island communities and their small farms in the years after the Civil War.
Southwest Harbor, which included Tremont until 1848, sent six schooners averaging 58 tons with the Labrador fleet in 1839. The smallest of these vessels was the 35 ton "Four Sisters" which could not have exceeded 50 feet. The Labrador fishery was ideal for such a small craft, for it allowed vessels to anchor in safe harbors, unbending their sails, and setting their men adrift in small boats near the shore. This practice would continue into the 1860s. These small vessels were ideal for men with limited capital who could easily afford to build and maintain these small vessels. More often than not, the crew would consist of a father and his sons, or all of the able-bodied men living in a small island community.
The British raided what is now Southwest Harbor in 1775 and attacked the home of John Manchester. The British killed or stole the livestock, took all of the winter provisions, and returned to the westward on board the "Falmouth Packet," but not before they told Mrs. Manchester that she could starve for all they cared. John Bunker, Manchester's brother-in-law, paddled his canoe westward in pursuit of the marauding British. He found them on the Sheepscot River at Wiscasset, and the "Falmouth Packet" at anchor with her crew on shore. He cut the lines in the dark of night, let the schooner drift with the tide, and then made sail, heading back to Mount Desert. The supplies were badly needed, as Downeast Maine was caught in the grip of a British embargo and families were starving. The supplies would carry the settlers through the winter. The British would come calling again on August 8, 1814, aboard the sloop of war "Tenados," and lost seven soldiers in a skirmish off Clark's Point. Capt. Benjamin Spurling of Cranberry Isle, whose grandson would be awarded the Medal of Honor after the Civil War, was in the thick of fighting with a ragtag band of fishermen who could only loosely be called a militia. Capt. Spurling would command a privateer during the war.
– Mark Honey
References:
Duncan, Roger F, "Coastal Maine, A Maritime History," WW Norton & Company, New York, 1992
O'Leary, Wayne M, "Maine Sea Fisheries," The Rise and Fall of a Native Industry, 1830-1890, Northeastern University Press, Boston, 1996.
Chart
U.S. Coast Survey
Chart with key showing the route of an excursion on the sloop "Superior" out of Castine made by William H. Witherle, Lane, Stevens and friends during which Lane made several sketches of Mt. Desert scenery. The trip was chronicled by Witherle in his diary of 1852.
Illustration
"U.S. Coast Pilot, Atlantic Coast, Parts I–II." First edition. Published by Washington GPO, 1891
Folded plate between pp. 62 and 63
Also filed under: Bear Island » // Maps » // Mount Desert Island & Rock » // Northeast Harbor, Maine – Bear Island Lighthouse »
"Superior" and its Pilot Getchell, were hired by Joseph Stevens, Jr., Lane, and three others (Adams, Witherle, and Tilden) to take them on a week-long excursion in August of 1852 in Penobscot Bay.
Chart
U.S. Coast Survey
Chart with key showing the route of an excursion on the sloop "Superior" out of Castine made by William H. Witherle, Lane, Stevens and friends during which Lane made several sketches of Mt. Desert scenery. The trip was chronicled by Witherle in his diary of 1852.
Personal diary
Wilson Museum, Castine, Maine (A00060-1a-1h)
Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.
Excerpts of the diary include:
August 16: "Lane has a knack for frying fish."
August 17: "leaving Lane to take a sketch, we took a climb."
August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."
The entire text is transcribed in an account published by the Wilson Museum.
View related Fitz Henry Lane catalog entries (6) »
Also filed under: Adams, Samuel, Jr. » // Biographical information » // Blue Hill » // Castine » // Chronology » // Diaries / Ledgers / Etc. » // Mount Desert Island & Rock » // Somes Sound » // Stevens, Joseph, Jr. » // Tilden, George » // Witherle, William Howe »
Schooners in Lane’s time were, with few exceptions, two-masted vessels carrying a fore-and-aft rig having one or two jibs, a fore staysail, gaff-rigged fore- and main sails, and often fore- and main topsails. One variant was the topsail schooner, which set a square topsail on the fore topmast. The hulls of both types were basically similar, their rigs having been chosen for sailing close to the wind. This was an advantage in the coastal trade, where entering confined ports required sailing into the wind and frequent tacking. The square topsail proved useful on longer coastwise voyages, the topsail providing a steadier motion in offshore swells, reducing wear and tear on canvas from the slatting of the fore-and-aft sails. (1)
Schooners of the types portrayed by Lane varied in size from 70 to 100 feet on deck. Their weight was never determined, and the term “tonnage” was a figure derived from a formula which assigned an approximation of hull volume for purposes of imposing duties (port taxes) oncargoes and other official levies. (2)
Crews of smaller schooners numbered three or four men. Larger schooners might carry four to six if a lengthy voyage was planned. The relative simplicity of the rig made sail handling much easier than on a square-rigged vessel. Schooner captains often owned shares in their vessels, but most schooners were majority-owned by land-based firms or by individuals who had the time and business connections to manage the tasks of acquiring and distributing the goods to be carried. (3)
Many schooners were informally “classified” by the nature of their work or the cargoes they carried, the terminology coined by their owners, agents, and crews—even sometimes by casual bystanders. In Lane’s lifetime, the following terms were commonly used for the schooner types he portrayed:
Fishing Schooners: While the port of Gloucester is synonymous with fishing and the schooner rig, Lane depicted only a few examples of fishing schooners in a Gloucester setting. Lane’s early years coincided with the preeminence of Gloucester’s foreign trade, which dominated the harbor while fishing was carried on from other Cape Ann communities under far less prosperous conditions than later. Only by the early 1850s was there a re-ascendency of the fishing industry in Gloucester Harbor, documented in a few of Lane’s paintings and lithographs. Depictions of fishing schooners at sea and at work are likewise few. Only A Smart Blow, c.1856 (inv. 9), showing cod fishing on Georges Bank (4), and At the Fishing Grounds, 1851 (inv. 276), showing mackerel jigging on Georges Bank, are known examples. (5)
– Erik Ronnberg
References:
1. Howard I. Chapelle, The History of American Sailing Ships (New York: W.W. Norton & Co., 1935), 258. While three-masted schooners were in use in Lane’s time, none have appeared in his surviving work; and Charles S. Morgan, “New England Coasting Schooners”, The American Neptune 23, no. 1 (DATE): 5–9, from an article which deals mostly with later and larger schooner types.
2. John Lyman, “Register Tonnage and its Measurement”, The American Neptune V, nos. 3–4 (DATE). American tonnage laws in force in Lane’s lifetime are discussed in no. 3, pp. 226–27 and no. 4, p. 322.
3. Ship Registers of the District of Gloucester, Massachusetts, 1789–1875 (Salem, MA: The Essex Institute, 1944). Vessels whose shipping or fishing voyages included visits to foreign ports were required to register with the Federal Customs agent at their home port. While the vessel’s trade or work was unrecorded, their owners and master were listed, in addition to registry dimensions and place where built. Records kept by the National Archives can be consulted for information on specific voyages and ports visited.
4. Howard I. Chapelle, The National Watercraft Collection (Washington, DC: Smithsonian Institution, 1960), 74–76.
5. Howard I. Chapelle, The American Fishing Schooners (New York: W.W. Norton & Co., 1973), 58–75, 76–101.
1852
Oil on canvas
28 x 48 1/2 in.
Cape Ann Museum, Gloucester, Mass., Deposited by the City of Gloucester, 1952. Given to the city by Mrs. Julian James in memory of her grandfather Sidney Mason, 1913 (DEP. 200)
Detail of fishing schooner.
Also filed under: Gloucester Harbor, Inner / Harbor Cove »
Stereograph card
Frank Rowell, Publisher
stereo image, "x " on card, "x"
Cape Ann Museum Library & Archive
View showing a sharpshooter fishing schooner, circa 1850. Note the stern davits for a yawl boat, which is being towed astern in this view.
Also filed under: Historic Photographs »
Model made for marine artist Thomas M. Hoyne
scale: 3/8" = 1'
Thomas M. Hoyne Collection, Mystic Seaport, Conn.
While this model was built to represent a typical Marblehead fishing schooner of the early nineteenth century, it has the basic characteristics of other banks fishing schooners of that region and period: a sharper bow below the waterline and a generally more sea-kindly hull form, a high quarter deck, and a yawl-boat on stern davits.
The simple schooner rig could be fitted with a fore topmast and square topsail for making winter trading voyages to the West Indies. The yawl boat was often put ashore and a "moses boat" shipped on the stern davits for bringing barrels of rum and molasses from a beach to the schooner.
– Erik Ronnberg
References:
Jeffrey Bolster, Black Jacks: African American Seafarers in the Age of Sail (Cambridge, MA: Harvard University Press, 1997).
Howard I. Chapelle, American Small Sailing Craft (New York: W.W. Norton & Co., 1951), 29–31.
Also filed under: Hand-lining » // Ship Models »
20 x 14 in.
Cape Ann Museum Library & Archive, Gloucester, Mass.
The image, as originally drafted, showed only spars and sail outlines with dimensions, and an approximate deck line. The hull is a complete overdrawing, in fine pencil lines with varied shading, all agreeing closely with Lane's drawing style and depiction of water. Fishing schooners very similar to this one can be seen in his painting /entry:240/.
– Erik Ronnberg
Newspaper
"Shipping Intelligence: Port of Gloucester"
"Fishermen . . . The T. [Tasso] was considerably injured by coming in contact with brig Deposite, at Salem . . ."
Also filed under: Newspaper / Journal Articles »
Newsprint
From bound volume owned by publisher Francis Procter
Collection of Fred and Stephanie Buck
"A Prize Race—We have heard it intimated that some of our fishermen intend trying the merits of their "crack" schooners this fall, after the fishing season is done. Why not! . . .Such a fleet under full press of sail, would be worth going many a mile to witness; then for the witchery of Lane's matchless pencil to fix the scene upon canvass. . ."
Also filed under: Fishing » // Newspaper / Journal Articles »
Also filed under: Cape Ann Advertiser Masthead »
Stereograph card
Procter Brothers, Publisher
Cape Ann Museum Library & Archive
"Gloucester Harbor from Rocky Neck, Looking Southwest. This gives a portion of the Harbor lying between Ten Pound Island and Eastern Point. At the time of taking this picture the wind was from the northeast, and a large fleet of fishing and other vessels were in the harbor. In the range of the picture about one hundred vessels were at anchor. In the small Cove in the foreground quite a number of dories are moored. Eastern Point appears on the left in the background."
Southeast Harbor was known for being a safe harbor.
Also filed under: Gloucester Harbor, Outer » // Historic Photographs » // Rocky Neck » // Small Craft – Wherries, and Dories »
Stereograph card
Cape Ann Museum Library & Archive
"Said schooner was captured about the first of September, 1871, by Capt. Torry, of the Dominion Cutter 'Sweepstakes,' for alleged violation of the Fishery Treaty. She was gallantly recaptured from the harbor of Guysboro, N.S., by Capt. Harvey Knowlton., Jr., (one of her owners,) assisted by six brave seamen, on Sunday night, Oct. 8th. The Dominion Government never asked for her return, and the United States Government very readily granted her a new set of papers."
Also filed under: Fishing » // Historic Photographs » // Waterfront, Gloucester »
Photograph
Cape Ann Museum Library & Archive
Also filed under: Gloucester Harbor, Inner / Harbor Cove » // Historic Photographs » // Waterfront, Gloucester »
Cape Ann Museum Library & Archive (2013.068)
Schooner fleet anchored in the inner harbor. Looking east from Rocky Neck, Duncan's Point wharves and Lane house (at far left), Sawyer School cupola on Friend Street.
Also filed under: Duncan's Point » // Gloucester Harbor, Inner / Harbor Cove » // Historic Photographs » // Waterfront, Gloucester »
See p. 254.
As Erik Ronnberg has noted, Lane's engraving follows closely the French publication, Jal's "Glossaire Nautique" of 1848.
Also filed under: Babson History of the Town of Gloucester »
Wood, cordage, acrylic paste, metal
~40 in. x 30 in.
Erik Ronnberg
Model shows mast of fishing vessel being unstepped.
Also filed under: Burnham Brothers Marine Railway » // Fishing »
Watercolor on paper
8 3/4 x 19 3/4 in.
Cape Ann Museum, Gloucester, Mass., Gift of Rev. and Mrs. A. A. Madsen, 1950
Accession # 1468
Fishing schooners in Gloucester's outer harbor, probably riding out bad weather.
Also filed under: Elwell, D. Jerome » // Gloucester Harbor, Outer »
Photograph
Cape Ann Museum Library & Archive
Ignatius Weber's windmill (now defunct) is shown.
Also filed under: Flake Yard » // Fort (The) and Fort Point » // Gloucester Harbor, Inner / Harbor Cove » // Historic Photographs » // Rogers's (George H.) wharves » // Waterfront, Gloucester » // Windmill »
Print from bound volume of Gloucester scenes sent to the Philadelphia Centennial Exhibition.
11 x 14 in.
Cape Ann Museum Library & Archives
Schooner "Grace L. Fears" at David A. Story Yard in Vincent's Cove.
Also filed under: Historic Photographs » // Shipbuilding / Repair » // Vincent's Cove »
Samuel Adams, Jr. was a friend of Joseph L. Stevens, Jr. from Castine. He joined Stevens, Lane and Witherle on their excursions in the Penobscot Bay area in 1850 and 1852. (1)
Samuel Adams (1828-1861) married Mary Brewer Martin, daughter of Silas Martin and Margaret Crawford of Castine and Wilmington, North Carolina. He was the son of Deacon Samuel Adams, born in 1790, and Lucy Sewall Moulton. Deacon Adams was a merchant and shipbuilder, and in 1850 he was one of the wealthiest men in the community. Deacon Adams and his extended family were invested in the cod fisheries and the cotton trade with New Orleans, and financed the building of some of Castine's greatest ships. Samuel Adams's sister, Sarah F. Adams, was married to William H. Witherle.
-Mark Honey
References:
(1) Frederic Alan Sharf. "Fitz Hugh Lane: Visits to the Maine Coast, 1848–55." Essex Institute Historical Collections 98 (April 1962), 117.
Personal diary
Wilson Museum, Castine, Maine (A00060-1a-1h)
Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.
Excerpts of the diary include:
August 16: "Lane has a knack for frying fish."
August 17: "leaving Lane to take a sketch, we took a climb."
August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."
The entire text is transcribed in an account published by the Wilson Museum.
View related Fitz Henry Lane catalog entries (6) »
Also filed under: "Superior" (Sloop) » // Biographical information » // Blue Hill » // Castine » // Chronology » // Diaries / Ledgers / Etc. » // Mount Desert Island & Rock » // Somes Sound » // Stevens, Joseph, Jr. » // Tilden, George » // Witherle, William Howe »
Joseph Lowe Stevens, Jr. (1823–1908) was Lane's closest friend and traveling companion. He was also executor of Lane's estate, and a tireless promoter of Lane's work. He was a supporter of abolition and animal welfare, and an active member of the Gloucester Lyceum. It was the Stevens family who encouraged Lane to make a print of Castine and who published and promoted it there Castine, from Hospital Island, 1855 (inv. 448). Joseph first worked as a dry goods salesman and in later life “engaged in the wholesale dry-goods and woollen trade on Summer St. Boston, travelling daily to and fro” on the train. (1)
Joseph's father, Dr. Joseph Lowe Stevens, Sr., was born in Andover, Massachusetts, and raised in Gloucester, Massachusetts. He married Dorothy Little of Castine, Maine, where the couple settled, and where Joseph Jr. was born in 1823. In the spring of 1840, at the age of seventeen, Joseph, Jr. left Maine and moved to Gloucester to work in his uncle’s Samuel Stevens' dry goods store and to live with his grandfather, Zachariah Stevens. Seven years later, Joseph, Jr. married his second cousin, Caroline Stevens Foster. The couple eventually had five children, one of whom died very young.
Like most of the educated population of the town, Joseph joined the Gloucester Lyceum shortly after arriving in town; the signature of John J. Piper appears next in the membership book; and the next after him was Fitz Henry Lane. (2) Joseph remained involved with the Gloucester Lyceum and Library for most of his life, acting as director for many years, and was the superintendent at the time it became incorporated as the Gloucester Lyceum and Sawyer Free Library.
Joseph also helped his father work on a history of Castine, and he was sufficiently concerned about the welfare of animals to serve on the boards of three animal-aid societies. He became the secretary of the Society for the Prevention of Cruelty to Animals and the New England Humane Education Society, and treasurer of the Band of Mercy. (3) Joseph was committed to more than animal welfare; he involved himself in the Free Soil movement and the slavery debate, to the extent that he left Gloucester for Kansas in 1855 “to see for himself what was going on,” returning about two years later. (4)
Joseph L. Stevens, Jr. first became friends with Lane after the artist had returned from Boston and had set up a studio on Elm Stree. That same year, Joseph invited Lane to accompany him to Castine. It was the first of many such trips to the Maine coast, where Lane sketched and painted and visited with Joseph’s parents.
When Lane fell out with his brother-in-law, Joseph Stevens came to the rescue by purchasing the contested stone house from Lane and evicting the troublesome in-laws. He was also at Lane’s side when he died and was named as one of two executors in Lane’s will. In addition, he inherited two-thirds of the residual property of the estate.
Joseph’s wife Caroline died in 1886, and Joseph left Gloucester nine years later to marry Charlotte M. Todd of Milton. He remained there until his own death. He is buried in Oak Grove cemetery alongside Caroline and their infant son. Lane is also buried in their family plot.
– Stephanie Buck
(1) Joseph L. Stevens Jr., letter written as Superintendent of the Sawyer Free Library, for the 1876 Women’s Time Capsule. Gloucester Archives, CC195 and AS300.
(2) Gloucester Lyceum Records, vol. 1, 1830–1852.
(3) The New England Humane Education Society is not to be confused with the coastal lifesaving institution which was then known as the Massachusetts Humane Society. The Band of Mercy was associated with the Massachusetts SPCA.
(4) F. A. Sharf, "Fitz Hugh Lane: Visits to the Maine Coast, 1848–1855," Essex Institute Historical Collection 98, no. 2 (April 1962): 112.
Photograph
Wilson Museum, Castine, Maine (a02156)
Also filed under: Historic Photographs »
Newsprint
Gloucester Daily Telegraph
Article by Joseph L. Stevens
"The beauties of this place [Maine] are well known and appreciated among artists. We heard of Bonfield and Williams who had reluctantly left but a short time before. Fishe had spent several weeks there. Champney and Kensett were then in another part of the island, and we have reason to believe that Church and some others were in the immediate vicinity–Lane who was with us, made good additions to his portfolio."
Personal journal
Wilson Museum, Castine, Maine
Box 2, F1 (A00772)
John Stevens was the younger brother of Joseph Stevens, and acquainted with Lane, spending time with him in Gloucester and at the family home in Castine. His journal, quoted below, includes reference to hunting plover and teal, school, sailing, local events. Mentions Castine mill, lighthouse, and block house.
"Friday [September] 17th: Cloudy all day. Wind N. blowing quite hard. A British Rig loaded with salt from Liverpool came into port last night. She run way up by the Monument and got aground. They kedged her off this P.M. and came down. She came in with one of these old English charts as her guide. They have the town set down on the Brooksville side, two miles + three quarters from the lighthouse."
"Wednesday [September] 22. . .Went down to the Indians Camp on the Back Cove. There were five camps of them."
Visits Gloucester from Castine:
"Wednesday [October] 27th. . .Left for Gloucester [from Boston] at 5 o'clock this P.M. arrived there safe + sound at 6 1/2 o'clock; went right down to the store and saw Joe. We then went up to his house and got supper.
"Thursday [October] 28th. At. Gloucester. Pleasant day. Went down to the "Cut" a gunning this morning before breakfast but saw no birds. Went out in the harbor this forenoon alone, had a fine sail but couldn't get a chance at any birds. Went out again this P.M. got down to East Point Light and the wind died all away, so I had to scull home."
"Friday 29th. Very pleasant day, went out in the harbor this morning with Joe. Took a walk this A.M. with "Lina", called on Mr. Lane + Doct. Hildreth. Joe + I went out in the harbor this P.M. I fired at some birds several times, but didn't get any. . . ."
Also filed under: Biographical information » // Bird Hunting » // Castine » // Castine – School » // Chronology » // Cut, The (Stacy Blvd.) » // Diaries / Ledgers / Etc. »
Newspaper
Gloucester Telegraph
"Ignatius Winter v. Joseph L. Stevens, Jr.—This was an action of tort brought by the plaintiff to recover damages for personal injury in ejecting him from his dwelling house, as the plaintiff claimed. Defendant justified his expulsion of the plaintiff on the ground that he expelled him from his own, the defendant's house, using no more force than was reasonably necessary to accomplish this."
Also filed under: Newspaper / Journal Articles » // Winter, Ignatius »
Samuel Sawyer Papers
Cape Ann Museum Library & Archives
Archive Collection
Also filed under: Diaries / Ledgers / Etc. » // Sawyer, Samuel » // Tuckerman, Stephen Salisbury »
Newspaper
Letter to the editor: "Fitz H. Lane's will and gift of the Old Fort painting in the Town Hall, sketched in 1859, from T. Sewell Lancaster and Joseph L. Stevens, executors."
Reply from Selectmen: "Mr. Lane was much esteemed by his townsmen not only for his skill as an artist, but also for his character, as a gentleman of Honor and Integrity."
Also filed under: Biographical information » // Funeral & Burial » // Lancaster, T. Sewall » // Newspaper / Journal Articles »
Handwritten list
Wilson Museum, Castine, Maine (A00787-1a-1d)
Also filed under: Castine » // Castine – Witherle & Co.'s Store » // Lithography (Sales & Exhibitions) » // Noyes, Samuel » // Publications » // Witherle, William Howe »
Printed paper receipt with handwritten entries by Joseph L. Stevens, Jr.
Cape Ann Museum, Gloucester, Mass.
Also filed under: New York – American Art Union »
Letter regarding the burning of the packet ship "Boston"
Cape Ann Museum, Gloucester, Mass.
"Dear Sir, Agreeable to your request that I would write something to attach to the picture in your possession of the Burning of the Packet Ship Boston in 1830, your object I suppose more fully to establish the fact that it is really one of the early productions of our fellow townsman and afterward most distinguished artist Fitz H. Lane.
The picture was drawn the same year by Mr. Lane from a sketch I made soon after the disaster aided by one of the passengers S.S. Osgood Esq. afterward a distinguished portrait painter. Mr. Lane had made not reputation of course at this time as an artist. And probably had received no instruction. It afforded me great pleasure to present this picture to you who was so devoted to him, knowing full well tho nothing very great of itself would be highly appreciative [...] as the early work of that [...] particular friend."
Also filed under: "Boston" (Packet Ship) » // Knight, Elias Davis » // Letters »
Letter
Cape Ann Museum Library & Archive, Gloucester, Mass.
". . . will fully appreciate all that I have done in my garden, in ornamenting it, with flowers and plants, Rustic Arbours and Statues, and I only wish that you could be here to witness and enjoy his [Dr. J. L. Stevens] expressions of delight and interest, when a new flower attracts his attention, or some beauty of arrangement meets his eye. Samuel [B. Stevens of Castine] he tells me came up with the expectation of going on a voyage to Australia, but when he arrived in Boston he found the vessel with her compliment of men, and it is very uncertain if he goes in her. Your Mother and all at home are well. I yesterday made a sketch of Stage Fort and the surrounding scenery, from the water. Piper has given me an order for a picture from this point of view, to be treated as a sunset. I shall try to make something out of it, but it will require some management, as there is no foreground but water and vessels. One o’clock, it is very hot, the glass indicates 84° in my room, with the windows all open and a light breeze from the east, this is the warmest day . . .
. . . than devoting it to you. Since writing you last I have painted but one picture worth talking about and that one I intend for you if you should be pleased with it. It is a View of the beach between Stage Fort and Steep bank including Hovey’s Hill and residence, Fresh water cove and the point of land with the lone pine tree. Fessenden’s house, likewise comes into the picture. The effect is a mid day light with a cloudy sky, a patch of sunlight is thrown across the beach and the breaking waves, an old vessel lies stranded on the beach with two or three figures, there are a few vessels in the distance and the Field rocks likewise show at the left of the picture. I think you will be pleased with this picture, for it is a very picturesque scene especially the beach, as there are many rocks which come in to destroy the monotony of a plain sand beach, and I have so arranged the light and shade that the effect I think is very good indeed, however you will be better able to judge of that when you see it, the size is 20 x 33. . ."
Letter
Castine Historical Society, Maine
"[John] says Charles proposes to come down on Saturday—to return on Monday—so that may be so—I think of defering sending the pictures till then—it has been my intention to have sent them tomorrow. [??] went away on Monday last before I had time to have them boxed. Mr. Noyes will see to that. The have been, for a day or two, in Witherle & Co.'s store, where they were much admired—& a little remarkable, among the visitors there yesterday was Mr. King—the son of the Keeper of the Light—who was engaged in catching herring while you was at the Rock. He was very much pleased—thought it as natural as life—as it was to his recollection—having only left there a week since. He observed that he would not have believed Mr. Lane had so much in him. In case Charles does not come on Saturday how shall I direct the box—for I shall send it by express to Boston—I don't remember any thing was said about that. I hope you will come over to Owl's Head, as proposed—if so, you & Lane must come & spend one night at least. Our two teacher boarders came in the boat that took you away—but we can continue to accommodate some way or other. Mary is to leave on Monday next."
Four-page letter
Collection of the Cape Ann Museum Library & Archive, Gloucester, Mass.
"[The painting] is offered you for $150 on as long time and in as many notes at 3% interest as you choose. . . I believe this to be the only important painting of Gloucester Harbor that Lane never duplicated. . . .Returning from a Gloucester visit while I was still under the roof there, father brought a print of Lane's first Gloucester view, bought of the artist at his Tremont Temple studio in Boston. An extra dollar had been paid for coloring it. For a few years it was a home delight.. . .I had been a few years in Gloucester when Lane began to come, for part of the time a while, if I remember rightly. He painted in his brother's house, "up in town" it then was. I recall visits there to see his pictures. But it was long after, that I could claim more than a simple speaking acquaintance. The Stacys were very kind, aiding him as time went on in selling paintings by lot. I invested in a view of Gloucester from Rocky Neck, thus put on sale at the old reading room, irreverently called "Wisdom Hall." And they bought direct of him to some extent, before other residents. Lane was much my senior and yet we gradually drifted together. Our earliest approach to friendship was after his abode began in Elm Street as an occupant of the old Prentiss [sic-corrected Stacy] house, moved there from Pleasant. I was a frequenter of this studio to a considerable extent, yet little compared with my intimacy at the next and last in the new stone house on the hill. Lane's art books and magazines were always at my service and a great inspiration and delight—notably the London Art Journal to which he long subscribed. I have here a little story to tell you. A Castine man came to Gloucester on business that brought the passing of $60 through my hands at 2 1/2 % commission. I bought with the $1.50 thus earned Ruskin's Modern Painters, my first purchase of an artbook. I dare say no other copy was then owned in town. . . .Lane was frequently in Boston, his sales agent being Balch who was at the head of his guild in those days. So in my Boston visits – I was led to Balch's fairly often – the resort of many artists and the depot of their works. Thus through, Lane in various ways I was long in touch with the art world, not only of New England but of New York and Philadelphia. I knew of most picture exhibits and saw many. The coming of the Dusseldorf Gallery to Boston was an event to fix itself in one's memory for all time. What talks of all these things Lane and I had in his studio and by my fireside!
For a long series of years I knew nearly every painting he made. I was with him on several trips to the Maine coast where he did much sketching, and sometimes was was [sic] his chooser of spots and bearer of materials when he sketched in the home neighborhood. Thus there are many paintings whose growth I saw both from brush and pencil. For his physical infirmity prevented his becoming an out-door colorist."
Photograph
Maine Historic Preservation Commission (2000.24)
Also filed under: Castine – Stevens Home » // Historic Photographs » // Stevens, Joseph, Sr. and Dorothy Little »
Single sheet, writing both sides
Cape Ann Museum Library & Archives, Gloucester, Mass.
"My dear Sir,
I hope you will not attribute the delay in acknowledging the receipt of your splendid, and most unexpected Gift to a want of a due appreciation of it. Many reasons have consipired to prevent my doing it – unnecessary to repeat. But I can no longer defer the expressions of our warmest acknowledgements for a present in itself so valuable, and endeared to us by many associations, as a representation of scenery often admired, and which I have many times wished could be transferred to canvas, although vary far from thinking that wish would ever be gratified. You must premit me, however, to say that the Painting, valuable as it is as a work of Art, and pleased as I may be as the possessor of it, is less appreciated by us than the delicate and very generous manner in which its acceptance has been tendered. My love of Art, to which you do politely allude, I am sensible has only wanted opportunity of indulgence to have amounted to a passion. From my earliest days I have wished for opportunities to visit places, where that desire could be gratified, and my reading has only had the effect of increasing my regrets for the want of them, and of encouraging envy for those more fortunate - I feel, too, under great obligations for the Drawing of the "Siege"(1) – I had no expectations you could have produced anything so good from so rough a copy. I shall have it framed for presentation and future reference. Several gentlemen who have called in to see the painting have expressed a desire to have a drawing from you of our town, similar to yours of Gloucester, which they much admire, and of lithographs, I have no doubts copies enough could be disposed of to remunerate you. That of Homans you are aware is feebly drawn, & still worse printed. I feel desirous myself it should be done, if it suits your wishes. There are several points of view, which you did not see, & to which it will be my pleasure, next summer, to carry you. I know many of our citizens would be gratified to have this done by you. Our house we shall expect to be your home, and if, as you suggested in Gloucester, you should come in your Boat, this place could be made the rendezvous, from whence you could start to any place that convenience & inclination might dictate – . . . Permit me again to tender acknowledgements for the picture. It hangs in our parlor, & I never come in to the house, without looking in to see it, & can never cease to feel grateful for your generosity and politeness. "
(1) Joseph Stevens was very interested the Revolutionary war event known as the "Penobscot Expedition" or the "Siege of Castine" by the British on July 25, 1779. In 1852 he handwrote an account of it and many articles are in the family's scrapbook at the Wilson Museum in Castine.
Appendix G: Family Trees, in Sarah Dunlap and Stephanie Buck, Fitz Henry Lane: Family and Friends (Gloucester, MA: Church & Mason Publishing; in association with the Cape Ann Historical Museum, 2007), 164–66.
Also filed under: Stevens, Caroline Foster » // Stevens, Joseph, Sr. and Dorothy Little »
Personal notebook
Wilson Museum, Castine, Maine
Note about historical importance of this Castine landmark: "On Saturday afternoon, August 11, 1855, with my friend the marine artist Fitz. H. Lane of Gloucester" visited Trask's Rock
Also filed under: Biographical information »
Essex County Probate Records, Volume 424, Leaves 34 & 35
The will disposed of Lane's property (including watch and diamond breast pin), his monetary assets, and gave to the city of Gloucester a painting of the Old Fort. Joseph Stevens, Jr. and T. Sewall Lancaster were named executors. It was signed by Lane on March 10, 1865.
Also filed under: Chronology » // Davidson, Dr. Herman Elvas » // Documents / Objects » // Funeral & Burial » // Galacar, Elizabeth » // Lancaster, T. Sewall » // Mellen, Mary Blood » // Page, Eben » // Stevens, Caroline Foster » // Wilbur, Horace B. »
Personal diary
Wilson Museum, Castine, Maine (A00060-1a-1h)
Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.
Excerpts of the diary include:
August 16: "Lane has a knack for frying fish."
August 17: "leaving Lane to take a sketch, we took a climb."
August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."
The entire text is transcribed in an account published by the Wilson Museum.
View related Fitz Henry Lane catalog entries (6) »
Also filed under: "Superior" (Sloop) » // Adams, Samuel, Jr. » // Biographical information » // Blue Hill » // Castine » // Chronology » // Diaries / Ledgers / Etc. » // Mount Desert Island & Rock » // Somes Sound » // Tilden, George » // Witherle, William Howe »
George Tilden was a lifelong resident of Castine. According to William Witherle's diary, George accompanied Lane and Stevens on their 1852 boat trip. The inscriptions from the drawings from the 1850 excursion indicate that he was on that trip as well.
George Francis Tilden, 1825-1883, was the son of Capt. Charles K. Tilden and Mary Reed of Castine. George was in partnership with his father at Castine, and though the family was a minor player in the cod fisheries, they still ranked 5th in terms of relative wealth in 1850. Capt. Charles K Tilden supplied lumber to the shipyards of Belfast and Castine, and had business interests as far afield as Vinalhaven. George had his own enterprise and invested in sawmills and timberlands at Cherryfield. Charles William Tilden, 1832-1914, the youngest son, would later enter the family enterprise. Charles would rise to prominence as a Col. in the 16th Maine Regiment, during the Civil War, and would earn the brevet of Brig. Gen. The expedition in 1852 began at the wharf of Capt. Charles K Tilden at Castine.
-Mark Honey
References:
Doudiet, Ellenore W, "Majabigwaduce, A History of Castine, Penobscot, and Brooksville, Castine Scientific Society (Wilson Museum), Castine, Maine, 1978.
Honey, Mark E, "Abigail & Sarah Hawes of Castine," Navigators & Educators, with Lois Moore Cyr, 1996.
Honey, Mark E, "Before the Mast," Volume IV, articles 7-9, Holbrook Island and the Holbrook family, and in particular, Robert Applebee, "Vessels of the Penobscot Customs District," Stephan Phillips Memorial Library, Penobscot Marine Museum, Searsport, which source also has the diaries of Capt. Jonathan Holbrook and the genealogy of the Holbrook family in the Priscilla Jones collection. The "Before the Mass" series can be found in the collections of the Castine Historical Society and the Wilson Museum, both in Castine.
Wheeler, Dr. George Augustus, "Four Flags," A History of Castine, Penobscot, and Brooksville.
Personal diary
Wilson Museum, Castine, Maine (A00060-1a-1h)
Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.
Excerpts of the diary include:
August 16: "Lane has a knack for frying fish."
August 17: "leaving Lane to take a sketch, we took a climb."
August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."
The entire text is transcribed in an account published by the Wilson Museum.
View related Fitz Henry Lane catalog entries (6) »
Also filed under: "Superior" (Sloop) » // Adams, Samuel, Jr. » // Biographical information » // Blue Hill » // Castine » // Chronology » // Diaries / Ledgers / Etc. » // Mount Desert Island & Rock » // Somes Sound » // Stevens, Joseph, Jr. » // Witherle, William Howe »
William Howe Witherle (1821–1906) accompanied Lane and his close friend Joseph Stevens on painting expeditions on the New England boat "General Gates," sailing around Penobscot Bay and Mount Desert Island. Witherle recorded notes about one of these trips in his diary.
Witherle was a merchant and shipbuilder of Castine. He married Sarah F. Adams (1822–56), daughter of Deacon Samuel and Lucy Adams. George H. Witherle (1831–1906), his younger brother, was in partnership with him in the family enterprise started by their father, William Witherle, Sr., who died at seventy-eight in 1860, and who came from Boston to Castine. Witherle, Sr. was married to "Sarah" Sally Bryant, a native of Marshfield, Massachusetts. In terms of both capital and influence, the two families enjoyed great prosperity, and their economic influence embraced Penobscot Bay and the greater world beyond. The Witherles were also invested in the cod fisheries and the cotton trade, and they financed the building of some of Castine's greatest ships.
– Mark Honey
Personal diary
Castine Historical Society
From July 25-August 16,1848, Castine native Noah Brooks made a return visit to his hometown. He was eighteen at the time, and had been living in Boston. In his diary, there is no mention of Lane, but he recounts Castine gossip, and writes about visits with the Stevens and Witherle familes, accounts of swimming in Back Cove, and reading Wuthering Heights. The daily arrival of "the boat" (the "T.F.S." or the "Secor")—the way it was anticipated and observed by Castine residents—is notable.
Also filed under: "T. F. Secor" (Steamboat) » // Brooks, Noah » // Castine » // Diaries / Ledgers / Etc. » // Steamers » // Stevens, Joseph, Sr. and Dorothy Little »
Chart
U.S. Coast Survey
Chart with key showing the route of an excursion on the sloop "Superior" out of Castine made by William H. Witherle, Lane, Stevens and friends during which Lane made several sketches of Mt. Desert scenery. The trip was chronicled by Witherle in his diary of 1852.
Handwritten list
Wilson Museum, Castine, Maine (A00787-1a-1d)
Also filed under: Castine » // Castine – Witherle & Co.'s Store » // Lithography (Sales & Exhibitions) » // Noyes, Samuel » // Publications » // Stevens, Joseph, Jr. »
Letter
Castine Historical Society, Maine
"[John] says Charles proposes to come down on Saturday—to return on Monday—so that may be so—I think of defering sending the pictures till then—it has been my intention to have sent them tomorrow. [??] went away on Monday last before I had time to have them boxed. Mr. Noyes will see to that. The have been, for a day or two, in Witherle & Co.'s store, where they were much admired—& a little remarkable, among the visitors there yesterday was Mr. King—the son of the Keeper of the Light—who was engaged in catching herring while you was at the Rock. He was very much pleased—thought it as natural as life—as it was to his recollection—having only left there a week since. He observed that he would not have believed Mr. Lane had so much in him. In case Charles does not come on Saturday how shall I direct the box—for I shall send it by express to Boston—I don't remember any thing was said about that. I hope you will come over to Owl's Head, as proposed—if so, you & Lane must come & spend one night at least. Our two teacher boarders came in the boat that took you away—but we can continue to accommodate some way or other. Mary is to leave on Monday next."
Personal diary
Wilson Museum, Castine, Maine (A00060-1a-1h)
Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.
Excerpts of the diary include:
August 16: "Lane has a knack for frying fish."
August 17: "leaving Lane to take a sketch, we took a climb."
August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."
The entire text is transcribed in an account published by the Wilson Museum.
View related Fitz Henry Lane catalog entries (6) »
Also filed under: "Superior" (Sloop) » // Adams, Samuel, Jr. » // Biographical information » // Blue Hill » // Castine » // Chronology » // Diaries / Ledgers / Etc. » // Mount Desert Island & Rock » // Somes Sound » // Stevens, Joseph, Jr. » // Tilden, George »
Photograph
Wilson Museum, Castine, Maine
Accession number a02600a
Also filed under: Castine » // Castine – Witherle & Co.'s Store »
Commentary
On Friday, August 20, 1852, as part of multi-day excursion in Maine by Lane and his friend Joseph Stevens, Jr., sloop “Superior” and crew left Bar Island and sailed south to explore islands and harbors surrounding the entrance to Somes Sound. The whole day was spent in this activity, but no Lane drawings of the places visited have come to light – except two views of Southwest Harbor which were made the following morning, Saturday, August 21. They are presumably this drawing, made on board the “Superior”, and West Harbor and Entrance to Somes Sound, 1852 (inv. 179), made from the shore at the southern entrance to Southwest Harbor. Which was made first was not recorded.
Both drawings have similar angles of view, but this drawing’s viewing point is closer to, and more focused on, the harbor’s north shore, while excluding Greening’s Island to the east. Beyond, on the sound’s western side are Flying, Dog, and Robinson’s Islands with Carter’s Nubble at far left; on the eastern side is Brown’s Mountain.
An oil painting Off Mount Desert Island, Maine, 1850–60 (inv. 263) based on this drawing follows closely the angle of view and details of the topography, buildings, and vegetation. Unlike his urban harbor views, Lane limited the sizes and numbers of vessels in this scene, giving the composition over to earth, sea, and sky, with a lone half-brig adding a accent mark to nature’s harmony.
—Erik Ronnberg.
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