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inv. 535
An American Frigate Hove-to Off the New England Coast
Oil on canvas 17 x 21 in. (43.2 x 53.3 cm)
Private collection, New York
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Historical Materials
Below is historical information related to the Lane work above. To see complete information on a subject on the Historical Materials page, click on the subject name (in bold and underlined).
In general, brigs were small to medium size merchant vessels, generally ranging between 80 and 120 feet in hull length. Their hull forms ranged from sharp-ended (for greater speed; see Brig "Antelope" in Boston Harbor, 1863 (inv. 43)) to “kettle-bottom” (a contemporary term for full-ended with wide hull bottom for maximum cargo capacity; see Ships in Ice off Ten Pound Island, Gloucester, 1850s (inv. 44) and Boston Harbor, c.1850 (inv. 48)). The former were widely used in the packet trade (coastwise or transoceanic); the latter were bulk-carriers designed for long passages on regular routes. (1) This rig was favored by Gloucester merchants in the Surinam Trade, which led to vessels so-rigged being referred to by recent historians as Surinam brigs (see Brig "Cadet" in Gloucester Harbor, late 1840s (inv. 13) and Gloucester Harbor at Dusk, c.1852 (inv. 563)). (2)
Brigs are two-masted square-rigged vessels which fall into three categories:
Full-rigged brigs—simply called brigs—were fully square-rigged on both masts. A sub-type—called a snow—had a trysail mast on the aft side of the lower main mast, on which the spanker, with its gaff and boom, was set. (3)
Brigantines were square-rigged on the fore mast, but set only square topsails on the main mast. This type was rarely seen in America in Lane’s time, but was still used for some naval vessels and European merchant vessels. The term is commonly misapplied to hermaphrodite brigs. (4)
Hermaphrodite brigs—more commonly called half-brigs by American seamen and merchants—were square-rigged only on the fore mast, the main mast being rigged with a spanker and a gaff-topsail. Staysails were often set between the fore and main masts, there being no gaff-rigged sail on the fore mast.
– Erik Ronnberg
References:
1. Howard I. Chapelle, The National Watercraft Collection (Washington, DC: Smithsonian Institution, 1960), 64–68.
2. Alfred Mansfield Brooks, Gloucester Recollected: A Familiar History (Gloucester, MA: Peter Smith, 1974), 62–74. A candid and witty view of Gloucester’s Surinam Trade, which employed brigs and barks.
3. R[ichard] H[enry] Dana, Jr., The Seaman's Friend (Boston: Thomas Groom & Co., 1841. 13th ed., 1873), 100 and Plate 4 and captions; and M.H. Parry, et al., Aak to Zumbra: A Dictionary of the World's Watercraft (Newport News, VA: The Mariners’ Museum, 2000), 95.
4. Parry, 95, see Definition 1.
Oil on canvas
17 1/4 x 25 3/4 in.
Cape Ann Museum, Gloucester, Mass., Gift of Isabel Babson Lane, 1946 (1147.a)
Photo: Cape Ann Museum
Detail of brig "Cadet."
Also filed under: "Cadet" (Brig) »
Painting on board
72 x 48 in.
Collection of Erik Ronnberg
Chart showing the voyage of the brig Cadet to Surinam and return, March 10–June 11, 1840.
Also filed under: "Cadet" (Brig) » // Surinam Trade »
The term "ship," as used by nineteenth-century merchants and seamen, referred to a large three-masted sailing vessel which was square-rigged on all three masts. (1) In that same period, sailing warships of the largest classes were also called ships, or more formally, ships of the line, their size qualifying them to engage the enemy in a line of battle. (2) In the second half of the nineteenth century, as sailing vessels were replaced by engine-powered vessels, the term ship was applied to any large vessel, regardless of propulsion or use. (3)
Ships were often further defined by their specialized uses or modifications, clipper ships and packet ships being the most noted examples. Built for speed, clipper ships were employed in carrying high-value or perishable goods over long distances. (4) Lane painted formal portraits of clipper ships for their owners, as well as generic examples for his port paintings. (5)
Packet ships were designed for carrying capacity which required some sacrifice in speed while still being able to make scheduled passages within a reasonable time frame between regular destinations. In the packet trade with European ports, mail, passengers, and bulk cargos such as cotton, textiles, and farm produce made the eastward passages. Mail, passengers (usually in much larger numbers), and finished wares were the usual cargos for return trips. (6) Lane depicted these vessels in portraits for their owners, and in his port scenes of Boston and New York Harbors.
Ships in specific trades were often identified by their cargos: salt ships which brought salt to Gloucester for curing dried fish; tea clippers in the China Trade; coffee ships in the West Indies and South American trades, and cotton ships bringing cotton to mills in New England or to European ports. Some trades were identified by the special destination of a ship’s regular voyages; hence Gloucester vessels in the trade with Surinam were identified as Surinam ships (or barks, or brigs, depending on their rigs). In Lane’s Gloucester Harbor scenes, there are likely (though not identifiable) examples of Surinam ships, but only the ship "California" in his depiction of the Burnham marine railway in Gloucester (see Three Master on the Gloucester Railways, 1857 (inv. 29)) is so identified. (7)
– Erik Ronnberg
References:
1. R[ichard)] H[enry] Dana, Jr., The Seaman’s Friend, 13th ed. (Boston: Thomas Groom & Co., 1873), p. 121 and Plate IV with captions.
2. A Naval Encyclopaedia (Philadelphia: L. R. Hamersly & Co., 1884), 739, 741.
3. M.H. Parry, et al., Aak to Zumbra: A Dictionary of the World’s Watercraft (Newport News, VA: The Mariners’ Museum, 2000), 536.
4. Howard I. Chapelle, The History of American Sailing Ships (New York: W.W. Norton & Co., 1935), 281–87.
5. Ibid.
6. Howard I. Chapelle, The National Watercraft Collection (Washington, DC: Smithsonian Institution, 1960), 26–30.
7. Alfred Mansfield Brooks, Gloucester Recollected: A Familiar History (Gloucester, MA: Peter Smith, 1974), 67–69.
Photograph
From American Clipper Ships 1833–1858, by Octavius T. Howe and Frederick C. Matthews, vol. 1 (Salem, MA: Marine Research Society, 1926).
Photo caption reads: "'Golden State' 1363 tons, built at New York, in 1852. From a photograph showing her in dock at Quebec in 1884."
Also filed under: "Golden State" (Clipper Ship) »
Oil on canvas
24 x 35 in.
Peabody Essex Museum, Salem, Mass.
Walters' painting depicts the "Nonantum" homeward bound for Boston from Liverpool in 1842. The paddle-steamer is one of the four Clyde-built Britannia-class vessels, of which one is visible crossing in the opposite direction.
View related Fitz Henry Lane catalog entries (2) »
Also filed under: Packet Shipping » // Walters, Samuel »
Commentary
This painting features a small schooner heading towards large U.S. Navy frigate that may be the "Congress"—the fourth to have that name, it was a 44-gun frigate launched from the Portsmouth Navy Yard in 1841. This scene may be commemorating "Congress's" first visit to the Boston Navy Yard. To the left, a brig and sloop of war are seen heading out of the frame.
Granby, Alan, and Janice Hyland. Flying the Colors: The Unseen Treasures of Nineteenth-Century American Marine Art. Easthampton, MA: Hudson Hills Press, 2009. p. 14
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