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Catalog entry

inv. 485
View of Providence, R. I. 1848
1849–52
Colored lithograph on paper
10 3/16 x 15 1/2 in. (25.9 x 39.4 cm) Sheet: 12 5/8 x 17 7/8 in. (32 x 45.3 cm.)
Inscribed across bottom: Printed under image left to right: F. H. Lane del., Scott's Lith., 16 Tremont Temple Boston
Collections:

Commentary

Drawn by Lane, this lithograph was printed by Scott after Lane had left the firm around 1848. It is possible that Lane designed this print but that it was transferred to the stone by another artist.

 When Lane visited Providence, he saw but the early stages of a concourse of railroad and shipping lines which would reach far inland and along the Eastern Seaboard. Located at the head of Narragansett Bay, this city was well situated to link inland transportation with maritime enterprise and become the dominant trading and industrial port in southeastern New England.

To make the drawing for this lithograph, Lane would have been standing on the west shore of the Providence River (whose mouth was an extension of Narragansett Bay) in the adjacent town of Cranston, looking north-northeast. At far right, the harbor branches eastward, where it is joined to the Seekonk River. At center is its north end, lined on the east side by many finger piers. The west side is dominated by heavy industry, to judge from the large buildings and smokestacks, built for machinery and tool making.

Lane shows the west side still in the early stages of development, building out the shore line to reach deeper water as evidenced by the Allen Avenue causeway which runs north-south in a straight line. The ponds created by this new street would be filled to create new land for future enterprises. That process is already under way, to judge from the partial removal of the hill in the left foreground. By 1871, tracks for the New York, Providence and Boston Railroad would occupy the causeway, while tracks for the Providence, Warren and Bristol Railroad would line the eastern shore.

The importance of this city gave ample reason for Lane’s visit, which could have been made in 1848, or possibly the preceding year. If in 1847, he may also have visited Norwich, Connecticut to make a drawing of that city, taking advantage of rail connections in that region. If this was the case, the Providence view was the higher priority, Lane retaining the Norwich view for publication in 1849 by Albert Conant (See View of Norwich, from the West Side of the River, 1849 (inv. 454)).

Lane’s view of Providence was published by John W. A. Scott, possibly their last joint venture.

While Scott is regarded as having drawn the image on stone, the images and details of vessels in the harbor, however distant, show the attention to watercraft  that only Lane could have given.

–Erik Ronnberg

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Supplementary Images

A Map of the City of Providence, 1849. Courtesy of Harvard College Library
Photo: © Cushing & Walling
 

Explore catalog entries by keywords view all keywords »

Subject Types:   Harbor Scene »   //   Townscape »
Vessel Types:   Schooner »   //   Steamship »
Animals & People:   Livestock (horse / sheep / cow) »
Building Types:   Commercial Building »

Historical Materials
Below is historical information related to the Lane work above. To see complete information on a subject on the Historical Materials page, click on the subject name (in bold and underlined).

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map
A Map of the City of Providence
Detail of Providence, R.I., from US Coast Survey chart of Narragansett Bay, 1875
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Other Locales: Providence, R.I.
map
A Map of the City of Providence
Detail of Providence, R.I., from US Coast Survey chart of Narragansett Bay, 1875
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Schooners in Lane’s time were, with few exceptions, two-masted vessels carrying a fore-and-aft rig having one or two jibs, a fore staysail, gaff-rigged fore- and main sails, and often fore- and main topsails. One variant was the topsail schooner, which set a square topsail on the fore topmast. The hulls of both types were basically similar, their rigs having been chosen for sailing close to the wind. This was an advantage in the coastal trade, where entering confined ports required sailing into the wind and frequent tacking. The square topsail proved useful on longer coastwise voyages, the topsail providing a steadier motion in offshore swells, reducing wear and tear on canvas from the slatting of the fore-and-aft sails. (1)

Schooners of the types portrayed by Lane varied in size from 70 to 100 feet on deck. Their weight was never determined, and the term “tonnage” was a figure derived from a formula which assigned an approximation of hull volume for purposes of imposing duties (port taxes) on cargoes and other official levies. (2)

Crews of smaller schooners numbered three or four men. Larger schooners might carry four to six if a lengthy voyage was planned. The relative simplicity of the rig made sail handling much easier than on a square-rigged vessel. Schooner captains often owned shares in their vessels, but most schooners were majority-owned by land-based firms or by individuals who had the time and business connections to manage the tasks of acquiring and distributing the goods to be carried. (3)

Many schooners were informally “classified” by the nature of their work or the cargoes they carried, the terminology coined by their owners, agents, and crews—even sometimes by casual bystanders. In Lane’s lifetime, the following terms were commonly used for the schooner types he portrayed:

Coasting schooners: This is the most general term, applied to any merchant schooner carrying cargo from one coastal port to another along the United States coast (see Bar Island and Mt. Desert Mountains from Somes Settlement, 1850 (inv. 401), right foreground). (4)

Packet schooners: Like packet sloops, these vessels carried passengers and various higher-value goods to and from specific ports on regular schedules. They were generally better-maintained and finished than schooners carrying bulk cargoes (see The Old Fort and Ten Pound Island, Gloucester, 1850s (inv. 30), center; and Gloucester Inner Harbor, 1850 (inv. 240), stern view). (5)

Lumber schooners: Built for the most common specialized trade of Lane’s time, they were fitted with bow ports for loading lumber in their holds (see View of Southwest Harbor, Maine: Entrance to Somes Sound, 1852 (inv. 260)) and carried large deck loads as well (Stage Rocks and the Western Shore of Gloucester Outer Harbor, 1857 (inv. 8), right). Lumber schooners intended for long coastal trips were often rigged with square topsails on their fore masts (see Becalmed Off Halfway Rock, 1860 (inv. 344), left; Maverick House, 1835 (not published); and Lumber Schooner in a Gale, 1863 (inv. 552)). (6)

Schooners in other specialized trades. Some coasting schooners built for carrying varied cargoes would be used for, or converted to, special trades. This was true in the stone trade where stone schooners (like stone sloops) would be adapted for carrying stone from quarries to a coastal destination. A Lane depiction of a stone schooner is yet to be found. Marsh hay was a priority cargo for gundalows operating around salt marshes, and it is likely that some coasting schooners made a specialty of transporting this necessity for horses to urban ports which relied heavily on horses for transportation needs. Lane depicted at least two examples of hay schooners (see Gloucester Harbor, 1850s (inv. 391), left; and Coasting Schooner off Boon Island, c.1850 (inv. 564)), their decks neatly piled high with bales of hay, well secured with rope and tarpaulins.

– Erik Ronnberg

References:

1. Howard I. Chapelle, The History of American Sailing Ships (New York: W.W. Norton & Co., 1935), 258. While three-masted schooners were in use in Lane’s time, none have appeared in his surviving work; and Charles S. Morgan, “New England Coasting Schooners”, The American Neptune 23, no. 1 (DATE): 5–9, from an article which deals mostly with later and larger schooner types.

2. John Lyman, “Register Tonnage and its Measurement”, The American Neptune V, nos. 3–4 (DATE). American tonnage laws in force in Lane’s lifetime are discussed in no. 3, pp. 226–27 and no. 4, p. 322.

3. Ship Registers of the District of Gloucester, Massachusetts, 1789–1875 (Salem, MA: The Essex Institute, 1944). Vessels whose shipping or fishing voyages included visits to foreign ports were required to register with the Federal Customs agent at their home port. While the vessel’s trade or work was unrecorded, their owners and master were listed, in addition to registry dimensions and place where built. Records kept by the National Archives can be consulted for information on specific voyages and ports visited.

4. Howard I. Chapelle, The National Watercraft Collection (Washington, DC: Smithsonian Institution, 1960), 40, 42–43.

5. Ibid., 42–43, 73.

6. Ibid., 74–76.

photo (historical)
Coasting schooner "Polly"
Photograph
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Lumber schooner in Gloucester Harbor
1852
Photograph

Also filed under: Lumber Industry »

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illustration
Topsail Schooner
In R. H. Dana, The Seaman's Friend, 13th ed. (Thomas Groom & Co. Publisher, 1873)

A topsail schooner has no tops at her foremast, and is fore-and-aft rigged at her mainmast. She differs from an hermaphrodite brig in that she is not properly square-rigged at her foremast, having no top, and carrying a fore-and-aft foresail instead of a square foresail and a spencer.

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object
1892 Gloucester Harbor Diorama (detail of marine railway)
Lawrence Jensen, Erik. A.R. Ronnberg, Jr.
Detail views: marine railway and hauling cradle for vessel
Wood rails, metal rollers, chain; wood cradle. Scale: ½" = 1' (1:24)
Original diorama components made, 1892; replacements made, 1993.
Cape Ann Museum, from Gloucester Chamber of Commerce, 1925 (2014.071)

A schooner is shown hauled out on a cradle which travels over racks of rollers on a wood and metal track.

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photo (historical)
Lobsterman and dory at Lane's Cove
Photographer unknown
c. 1900
Glass plate negative
Collection of Erik Ronnberg

Also filed under: Lobstering »

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PDF
view ]
publication
Maine Register for 1855 (Lumber)
George Adams, publisher
"The Maine Register for the Year 1855, embracing State and County Officers, and an abstract of the law and resolves; together with a complete business directory of the state, and a variety of useful information."

Details about Maine's lumber trade in 1855, see pp. 250–52

Also filed under: Castine »   //  Lumber Industry »

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illustration
View of the Old Fort and Harbor 1837
Fitz Henry Lane, attr.
1860
In John J. Babson, History of the Town Gloucester (Gloucester, MA: Procter Brothers, 1860)
Cape Ann Museum Library & Archives, Gloucester, Mass.

See p. 474.

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Vessel Types Vessel Types: Steamship / Engine-Powered Vessel / Coastal Steamer
[Related to impression: Boston Athenaeum (inv. 430)]

"Engine-powered vessel" is a collective term used by nautical historians to include all vessel types using engine power of any type for propulsion, whether assisted by sails, oars, or other motive power. In Lane's time, steam reciprocating engines fueled by wood or coal were the only practical source of this power for ships using paddle-wheels or screw propellers to convert heat energy into motion.

For most of the nineteenth century, steamships had sails for auxiliary power; indeed the earliest examples relied principally on sails, using engine power in calm weather to shorten the voyage time or keep to a schedule. As engines became more efficient, powerful, and reliable, sail plans were reduced, to be used only to steady a vessel's motion in a seaway (for the sake of seasick passengers), or to maintain headway if the engine broke down. Only harbor craft, ferry boats, and coastwise passenger steamers relied solely on engine power.

Among Lane's depictions of steamships, the auxiliary steam packet Auxiliary Steam Packet Ship Massachusetts (inv. 442) is a good example of primary reliance on sails, while the steam demi-bark The "Britannia" Entering Boston Harbor, 1848 (inv. 49) and the Cunard Liner "Britannia", 1842 (inv. 259) have relegated sails to secondary (or simply emergency) motive power.

– Erik Ronnberg

artwork
Boston Harbor (detail of steamship)
Fitz Henry Lane
Boston Harbor
1856
Oil on canvas
25 1/2 x 42 1/2 in. (64.8 x 108 cm)
Dated verso: 1856
Amon Carter Museum of American Art, Fort Worth, Tex. (1977.14)
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Steamer Lewiston, at the Wharf, Castine
George E. Collins
Stereograph card
Castine Historical Society Collections (2015.03)

Also filed under: Historic Photographs »   //  Steamers »

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model
Harbor ferry "Little Giant"
John Gardner Weld
early 20th century
Wood and metal
Cape Ann Museum (1200)
Image: Erik Ronnberg
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publication
Boston Directory
George Adams
1848
Published by James French, Boston
Volume 1848-49
Boston Public Library
Call number 39999059856813

See p. 30 of directory.

Image: Boston Public Library
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illustration
Bound to Beat
Serrell & Perkins, Printer and Publisher
c.1851
Cartoon
9 1/4 x 13 3/4 in (23.495 x 34.925 cm)
Peabody Essex Museum, Salem, Mass.

Jonny and a Yankee:

Jonny: "Ho my Hi! 'ow she goes!! it his'nt fair I ham sure t'aint!!! She must 'av an engine hunder the keel..."

Yankee: "Where are your yachts now, Jonny? s-a-y- Do you think your wash tubs can come up to a real Yankee Clipper? Sorry for you, Jonny, but it can't be helped... A Yankee Ship a Yankee Crew, you know Jonny."

Image: Peabody Essex Museum
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Patent drawings for paddle wheel steamer
1842
Lithograph
Library of Congress Catalog Number 2002706878

Design of side wheel steamer showing wheel mechanism, side view and cross-section in ten figures. This design proved a failure in the few vessels that employed it. The paddle wheel enclosures filled with water, causing resistance which greatly impaired efficiency and increased fuel consumption.

– Erik Ronnberg

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artwork
"T.F. Secor" Passenger Steamship
Unknown
c. 1855
Oil on canvas
Maine Maritime Museum
Image: Maine Maritime Museum

Also filed under: Castine »

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PDF
view ]
publication
The Maine Register for the Year 1855 (Steamer Schedule)
George Adams, publisher
"The Maine Register for the Year 1855, embracing State and County Officers, and an abstract of the law and resolves; together with a complete business directory of the state, and a variety of useful information."

Steamer schedules for 1855, including the schedule for the steamer, "T. F. Secor" which served Castine, see pp. 234–35.

Also filed under: "T. F. Secor" (Steamboat) »   //  Castine »   //  Publications »   //  Steamers »

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Lane & Scott's Lithography was a Boston-based firm formed by Fitz Henry Lane and John W. A. Scott. The partnership spanned 1844–48, after both artists had apprenticed for prominent Boston lithographer, William Pendleton. The firm was located at 16 Tremont Temple, Boston and created sheet music covers, book illustrations, advertisements, prints, and town views. Lane left the firm around 1847 or 1848 and Scott printed some works under his own name.

This information has been summarized from Boston Lithography 1825–1880 by Sally Pierce and Catharina Slautterback. 

map
1837 plan of the City of Boston
Charles Stimpson
1837
9 x 14 in.
Cape Ann Museum Library & Archive

Showing Lane's neighborhood while working in Boston. Lane had studios at the intersection of Washington and State Streets, Summer, Tremont and School Streets.

Also filed under: Boston City Views »   //  Maps »   //  Professional »   //  Residences »   //  Tremont Temple »

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map
A Map of Plymouth Village
Lane & Scott Lith.
Frontispiece of " Pilgrim memorials, and guide for visitors to Plymouth Village: : with a lithographic map, and seven copperplate engravings." / By Wm. S. Russell, recording secretary of the Pilgrim Society. ; [Eight lines from Oliver Wendell Holmes]
Boston: : Printed for the author, by C.C.P. Moody, Old Dickinson Office–52 Washington Street., 1851
Courtesy of the American Antiquarian Society, Worcester.
Call Number LML Plym Russ P851

American Antiquarian Society copy of book inscribed: Belonging to J.G. Orton. Bought in Pilgrim Hall Plymouth, Mass. Oct. 10th 1851

Map of Plymouth Village in 1846 signed: Lane & Scott's Lith., Boston

Image: American Antiquarian Society
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publication
The Voyage of the "Jamestown" on her Errand of Mercy
Robert Bennet Forbes
1847
Boston
Eastburn's Press

Link to Google Books.

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Provenance (Information known to date; research ongoing.)

See IMPRESSIONS tab for provenance.

Exhibition History

1974 Farnsworth Art Museum: John Wilmerding, Rockland, Maine, Fitz Hugh Lane 1804-1805, no. 4, lent by the Boston Athenaeum. [Impression: Boston Athenaeum (inv. 430)].
1986 Rhode Island School of Design: Museum of Art Rhode Island School of Design, Providence, Rhode Island, The Eden of America: Rhode Island Landscapes, 1820–1920 [Impression: Boston Athenaeum (inv. 430)].
1991 Boston Athenaeum: Boston Athenaeum, Boston, Massachusetts, New England Historical Prints: The Charles E. Mason, Jr., Collection [Impression: Boston Athenaeum (inv. 430)].
2017–18 Cape Ann Museum: Cape Ann Museum, Gloucester, Massachusetts, Drawn From Nature & on Stone: The Lithographs of Fitz Henry Lane [Impression: Boston Athenaeum (inv. 430)].

Published References

: fig. 12, View of Providence, R. I. 1848. [Impression: Boston Athenaeum (inv. 430)].
Farnsworth 1974: Fitz Hugh Lane 1804-1865, no. 4, ill. [Impression: Boston Athenaeum (inv. 430)].
Reps 1984: Views and Viewmakers of Urban America: Lithographs of Towns and Cities in the United States and Canada, Notes on the Artists and Publishers, and a Union Catalog of their Work,1825-1925, no. 3872, p.503.
Crossman 1985: "Lithographs of Fitz Hugh Lane," fig. 12, p. 85. [Impression: Boston Athenaeum (inv. 430)]. ⇒ includes text
Pierce and Slautterback 1991: Boston Lithography, 1825–1880: The Boston Atheneaum Collection [Impression: Boston Athenaeum (inv. 430)].
Cape Ann Museum 2017: Drawn from Nature & on Stone: the Lithographs of Fitz Henry Lane, fig. 59, text, p. 35, View of Providence, R. I. 1848. [Impression: Boston Athenaeum (inv. 430)]. ⇒ includes text
Barnhill 2021: "Fitz Henry Lane and Coastal New England," fig. 2. ⇒ includes text

Impression information

Boston Athenaeum (inv. 430)

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Photo: Boston Athenaeum (inv. 430)
Inscribed across bottom: Printed under image left to right: F. H. Lane del., Scott's Lith., 16 Tremont Temple Boston.
Boston Athenaeum, Anonymous gift in honor of Charles E. Mason, Jr., 1972 (1972.6)
Citation: "View of Providence, R. I. 1848, 1849–52 (inv. 485)." Fitz Henry Lane Online. Cape Ann Museum. http://fitzhenrylaneonline.org/catalog/entry.php?id=485 (accessed January 30, 2025).
Record last updated April 11, 2017. Please note that the information on this and all pages is periodically reviewed and subject to change.
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