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Catalog entry

inv. 152
Little Good Harbor Beach from the Western Upland
1861
Graphite on paper (2 sheets)
10 1/4 x 31 1/2 in. (26 x 80 cm)
Inscribed upper center (in pencil): Little Good harbor Beach from the Western Upland Wednesday afternoon Aug. 28, 1861 / F.H. Lane del; Inscribed bottom center (in pencil): Picture painted from this sketch; Inscribed lower right (in pencil): F.H. Lane / J.L. Stevens Jr.
 

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Subject Types:   Coastal Scene »   //   Landscape »
Landscape Types:   Beach »   //   Rocky Shoreline »
Cape Ann Locales:   Good Harbor Beach »   //   Thacher Island & Lighthouses »
Building Types:   Lighthouse »

Historical Materials
Below is historical information related to the Lane work above. To see complete information on a subject on the Historical Materials page, click on the subject name (in bold and underlined).

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A painting of Little Good Harbor Beach which Lane made from the drawing Little Good Harbor Beach from the Western Upland, 1861 (inv. 152) was given as a prize in a raffle at the 1863 Cape Ann Sanitary Fair, according to the Gloucester Telegraph of December 26. Salt Island and Thacher's Island are visible in the background of the drawing. The painting's current whereabouts is unknown.

Good Harbor Beach is on the other side of East Gloucester, towards Rockport, near Salt Island.

Related tables: Salt Island »
map
1831 Mason Map
John Mason
1831
Lithograph
28.5 x 21 in.
Cape Ann Museum Library & Archive

When Massachusetts decreed that each town be mapped, John Mason drew the map of Cape Ann in 1830. This drawing was sent to the Senefelder Lithographic Company of Boston (owned by William Pendleton) to be printed, and then sold in Gloucester by W.E.P. Rogers, whose Gloucester Telegraph of February 12, 1831 announced, "A few specimen copies of the map, uncolored, have reached the town" and that they cost $1.25. Perhaps this business arrangement between Pendleton and Rogers provided Lane with his introduction to Pendleton.

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publication
1850 Gloucester Daily Times 9.11.1850
9.11.1850
Newspaper
Gloucester Daily Times

"Fitz H. Lane, Esq., has just finished a view of Good Harbor Beach; and if we are not mistaken, it will be pronouced as fine a painting as the artist has ever produced. The picture combines the quiet beauty of a landscape with the life and grandeur of the ocean."

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publication
1863 Gloucester Telegraph 12.26.1863
12.26.1863
Newsprint
Gloucester Telegraph
Cape Ann Museum Library & Archive

At a Sanitary Fair held at the Pavilion "obtained through the favor and generosity of the owner, Mr. SIDNEY MASON, of New York, and to whom many thanks are due."  "... hangs a fine picture, the generous gift of our own Artist, Mr. Lane.  The Subject is "Coffin's Beach," as seen from the "Loaf."  This is the most costly article on sale in the rooms, and is valued at $100. It will be disposed of by tickets $1 each."

Two paintings by Lane, Little Good Harbor Beach and View from the Loaf were on sale at the Fair.

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publication
1863 Gloucester Telegraph 12.26.1863
12.26.1863
Newspaper
Gloucester Telegraph

"The Cape Ann Sanitary Fair: [Thursday in the Curiosity Room] We noticed and particularly admired a beautiful wreath of Wax Flowers, the work of a lady artist (Mrs. Charles Mellen) who not only excels in this delicate art, but adds to it the genius so rare in women, of a high rank in oil painting. One of her landscape scenes hangs in the same room. We are happy and grateful to acknowledge again a new donation of a Painting from Mr. Lane, at half price. subject: "Little Good Harbor Beach." This, like the former, was sold at raffle and will realize to the Fair a handsome amount... The following articles were drawn in raffle: Mr. Lane's Painting of a "View from the Loaf," $100-Capt. David W. Low at one of the Town Meetings held during the Summer, the volumes presented to the Town by the City of Gloucester, Eng.,were exhibited, and the Selectmen were instructed to acknowledge the receipt of them. They did so, and also forwarded one of Lane's colored engravings of Gloucester Harbor, and one of Walling's maps of the town. [Friday] 2nd picture of Mr. Lane's, "Good Harbor Beach," $100- Mrs. Eli F. Stacy."

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photo (historical)
Cape Ann Scenery: Artistic Series No. 8 Good Harbor Beach, Cape Ann
Procter Brothers
c.1860s
Stereograph card
Cape Ann Museum Library & Archive

Stereo view

Little Good Harbor Beach looking towards the Farms

Also filed under: Historic Photographs »   //  Salt Island »

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photo (historical)
Good Harbor Beach
c.1900
Colored lithograph
Cape Ann Museum Library and Archive
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map
Locator map: Good Harbor Beach
H. F. Walling
1851
44 x 34 in.
John Hanson, Publisher
Cape Ann Museum Library & Archive
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For centuries the Thacher Island Twin Lighthouses, or Cape Ann Light Station, have guided mariners off Cape Ann to safety. Thacher Island is a 52-acre island located on the eastern shore of Rockport, MA about a half-mile offshore and has been visited by Europeans as early as 1605, but didn't have a light station until 1771. On December 21, 1771 two 45-foot stone towers were lit on Thacher Island to mark the dangerous Londoner Ledge to the southeast of Thacher Island. These Thacher Island Twin Lighthouses were the 11th and last lighthouses to be built under the British occupation of the colonies. In the century after the original towers were built, the Cape Ann Light Station underwent numerous changes. New lamps were installed in 1810, a two-story wooden keepers house was built in 1840, a fog bell was added in 1853, but the most substantial change came in 1861 when the Thacher Island Twin Lighthouses were rebuilt. First lit on October 1, 1861, the formidable 124-foot-tall towers were built from New Hampshire Granite and boasted first-order Fresnel lens, making each of the lights visible from 22 miles away. A three-story keeper's house was built the same year and housed two separate families. Fitz Henry Lane depicted the Cape Ann Light Station on at least two occasions; the works date to the 1850s and 1861.

This information has been shared with the Lane project by Jeremy D'Entremont. More information can be found at his website, www.newenglandlighthouses.net or in The Lighthouse Handbook New England. This information has also been summarized from Paul St. Germain's book, Lighthouses and Lifesaving Stations on Cape Ann.

Related tables: Thacher Island »
publication
1862 Cape Ann Advertiser 1.10.1862
1.10.1862
Newsprint
Cape Ann Advertiser
Collection of Fred and Stephanie Buck

"VISIT TO LANE'S STUDIO.

We called at the studio of this artist a few days ago, and found several new paintings had been added to his collection since our last visit. The first that arrested our attention was a view of Good Harbor Beach. . . .

A scene outside Eastern Point, during a fresh sou'wester, is full of life, and faithfully portrayed on the canvass. . . .

A fancy sketch, representing a storm scene, is also on exhibition. . . .

The Artist has now on his easel a large picture 36x60, just commenced, which we should judge would be his master-piece. It will be on exhibition when finished, and we forbear a description of it at this time. Mr. Lane, as a marine painter, ranks first in the country, and we are pleased to chronicle his success in producing such life-like pictures."

Image: Collection of Fred and Stephanie Buck
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publication
1862 Cape Ann Advertiser 1.10.1862 (Thacher Island lighthouse)
1.10.1862
Newspaper clipping
Cape Ann Advertiser
Collection of Fred and Stephanie Buck

About a visit to the new lighthouse:

"VISIT TO THATCHER'S ISLAND.

On Wednesday last, the yacht Mary Bell, Capt. Merchant, made an excursion to Thatcher's Island. Availing ourselves of an invitation we joined the party and were soon on our way with a brisk breeze, which wafted us speedily to our destination. Arriving at the Island we landed and proceeded to examine the new lighthouses which have recently been erected here, and are now nearly ready for service. The towers are the most substantial that have been erected on the American coast, and reflect great credit on those who have had the superintendence of their construction. . . "

Image: Collection of Fred and Stephanie Buck
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photo (historical)
Cape Ann (Thatcher Island) Light
1891
Photograph

From The Illustrated Coast Pilot with sailing directions. The Coast of New England from New York to Eastport, Maine including Bays and Harbors, published by N. L. Stebbins, Boston, Mass.

Image: Cape Ann Museum Library and Archive

Also filed under: Thacher Island »

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photo (historical)
Cape Ann Scenery: No. 215 Thatcher's Island
Hervey Friend, Publisher
c.1870
Stereograph card
Cape Ann Museum Library & Archive

Also filed under: Historic Photographs »   //  Thacher Island »

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photo (historical)
Cape Ann Scenery: No. 60 Thatcher's Island Northern Light
John S. E. Rogers, Publisher
c.1870
Stereograph card
Cape Ann Museum Library & Archive

Also filed under: Historic Photographs »   //  Thacher Island »

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photo (historical)
Cape Ann Scenery: No. 61 Thatcher's Island Southern Light
John S. E. Rogers, Publisher
c.1870
Stereograph card
Cape Ann Museum Library & Archive

Also filed under: Historic Photographs »   //  Thacher Island »

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object
First Order Fresnel Lens for Thacher Island lighthouse beacon
L. Sautter & Sons, Paris, France
c.1860
288 individual prisms are mounted in a brass frame, the whole structure measuring 9 ft. 4 in. high and 6 ft. 5" diameter.
Cape Ann Museum. On permanent loan from the United States Coast Guard, 2013

Installed in south light tower, 1861; removed, 1980.

Also filed under: Objects »

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illustration
Plans for new lighthouse tower
c.1860
Illustration
U. S. Coast Guard
Photography courtesy of http://www.newenglandlighthouses.net
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Joseph Lowe Stevens, Jr. (1823–1908) was Lane's closest friend and traveling companion. He was also executor of Lane's estate, and a tireless promoter of Lane's work. He was a supporter of abolition and animal welfare, and an active member of the Gloucester Lyceum. It was the Stevens family who encouraged Lane to make a print of Castine and who published and promoted it there Castine, from Hospital Island, 1855 (inv. 448). Joseph first worked as a dry goods salesman and in later life “engaged in the wholesale dry-goods and woollen trade on Summer St. Boston, travelling daily to and fro” on the train. (1)

Joseph's father, Dr. Joseph Lowe Stevens, Sr., was born in Andover, Massachusetts, and raised in Gloucester, Massachusetts. He married Dorothy Little of Castine, Maine, where the couple settled, and where Joseph Jr. was born in 1823. In the spring of 1840, at the age of seventeen, Joseph, Jr. left Maine and moved to Gloucester to work in his uncle’s Samuel Stevens' dry goods store and to live with his grandfather, Zachariah Stevens. Seven years later, Joseph, Jr. married his second cousin, Caroline Stevens Foster. The couple eventually had five children, one of whom died very young.

Like most of the educated population of the town, Joseph joined the Gloucester Lyceum shortly after arriving in town; the signature of John J. Piper appears next in the membership book; and the next after him was Fitz Henry Lane. (2) Joseph remained involved with the Gloucester Lyceum and Library for most of his life, acting as director for many years, and was the superintendent at the time it became incorporated as the Gloucester Lyceum and Sawyer Free Library.

Joseph also helped his father work on a history of Castine, and he was sufficiently concerned about the welfare of animals to serve on the boards of three animal-aid societies. He became the secretary of the Society for the Prevention of Cruelty to Animals and the New England Humane Education Society, and treasurer of the Band of Mercy. (3) Joseph was committed to more than animal welfare; he involved himself in the Free Soil movement and the slavery debate, to the extent that he left Gloucester for Kansas in 1855 “to see for himself what was going on,” returning about two years later. (4)

Joseph L. Stevens, Jr. first became friends with Lane after the artist had returned from Boston and had set up a studio on Elm Stree. That same year, Joseph invited Lane to accompany him to Castine. It was the first of many such trips to the Maine coast, where Lane sketched and painted and visited with Joseph’s parents.

When Lane fell out with his brother-in-law, Joseph Stevens came to the rescue by purchasing the contested stone house from Lane and evicting the troublesome in-laws. He was also at Lane’s side when he died and was named as one of two executors in Lane’s will. In addition, he inherited two-thirds of the residual property of the estate.

Joseph’s wife Caroline died in 1886, and Joseph left Gloucester nine years later to marry Charlotte M. Todd of Milton. He remained there until his own death. He is buried in Oak Grove cemetery alongside Caroline and their infant son. Lane is also buried in their family plot.

– Stephanie Buck

(1) Joseph L. Stevens Jr., letter written as Superintendent of the Sawyer Free Library, for the 1876 Women’s Time Capsule. Gloucester Archives, CC195 and AS300.

(2) Gloucester Lyceum Records, vol. 1, 1830–1852.

(3) The New England Humane Education Society is not to be confused with the coastal lifesaving institution which was then known as the Massachusetts Humane Society. The Band of Mercy was associated with the Massachusetts SPCA.

(4) F. A. Sharf, "Fitz Hugh Lane: Visits to the Maine Coast, 1848–1855," Essex Institute Historical Collection 98, no. 2 (April 1962): 112.

photo (historical)
Joseph L. Stevens, Jr.
B. Adams. Front St., Gloucester
December 1876
Carte de visite
Gloucester City Archives.

This carte de visite was included in the Women's Centennial Collection time capsule.

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photo (historical)
Photograph of Joseph L. Stevens, Jr.
n.d.
Photograph
Wilson Museum, Castine, Maine (a02156)

Also filed under: Historic Photographs »

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publication
1850 Gloucester Daily Telegraph 9.11.1850
Stevens, Joseph Jr.
9.11.1850
Newsprint
Gloucester Daily Telegraph
Article by Joseph L. Stevens

"The beauties of this place [Maine] are well known and appreciated among artists. We heard of Bonfield and Williams who had reluctantly left but a short time before. Fishe had spent several weeks there. Champney and Kensett were then in  another part of the island, and we have reason to believe that Church and some  others were in the immediate vicinity–Lane who was with us, made good additions  to his portfolio."

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manuscript
1852 Journal of John M. Stevens
John M. Stevens
September 1–November 18, 1852
Personal journal
Wilson Museum, Castine, Maine
Box 2, F1 (A00772)

John Stevens was the younger brother of Joseph Stevens, and acquainted with Lane, spending time with him in Gloucester and at the family home in Castine. His journal, quoted below, includes reference to hunting plover and teal, school, sailing, local events. Mentions Castine mill, lighthouse, and block house.

"Friday [September] 17th: Cloudy all day. Wind N. blowing quite hard. A British Rig loaded with salt from Liverpool came into port last night. She run way up by the Monument and got aground. They kedged her off this P.M. and came down. She came in with one of these old English charts as her guide. They have the town set down on the Brooksville side, two miles + three quarters from the lighthouse."

"Wednesday [September] 22. . .Went down to the Indians Camp on the Back Cove. There were five camps of them." 

Visits Gloucester from Castine:

"Wednesday [October] 27th. . .Left for Gloucester [from Boston] at 5 o'clock this P.M. arrived there safe + sound at 6 1/2 o'clock; went right down to the store and saw Joe. We then went up to his house and got supper.

"Thursday [October] 28th. At. Gloucester. Pleasant day. Went down to the "Cut" a gunning this morning before breakfast but saw no birds. Went out in the harbor this forenoon alone, had a fine sail but couldn't get a chance at any birds. Went out again this P.M. got down to East Point Light and the wind died all away, so I had to scull home."

"Friday 29th. Very pleasant day, went out in the harbor this morning with Joe. Took a walk this A.M. with "Lina", called on Mr. Lane + Doct. Hildreth. Joe + I went out in the harbor this P.M. I fired at some birds several times, but didn't get any. . . ."

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publication
1863 Gloucester Telegraph 10.7.1863
W.E.P. Rogers
10.7.1863
Newspaper
Gloucester Telegraph

"Ignatius Winter v. Joseph L. Stevens, Jr.—This was an action of tort brought by the plaintiff to recover damages for personal injury in ejecting him from his dwelling house, as the plaintiff claimed. Defendant justified his expulsion of the plaintiff on the ground that he expelled him from his own, the defendant's house, using no more force than was reasonably necessary to accomplish this."

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manuscript
1865 Diary Entry 10.22.1865
Samuel Sawyer
10.22.1865
Samuel Sawyer Papers
Cape Ann Museum Library & Archives
Archive Collection

"Met Mr. Tuckerman the artist walking with Jos. Stevens."

Image: Cape Ann Museum Library & Archives
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1867 Cape Ann Advertiser 10.25.1867
Procter Brothers
10.25.1867
Newspaper

Letter to the editor: "Fitz H. Lane's will and gift of the Old Fort painting in the Town Hall, sketched in 1859, from T. Sewell Lancaster and Joseph L. Stevens, executors."

Reply from Selectmen: "Mr. Lane was much esteemed by his townsmen not only for his skill as an artist, but also for his character, as a gentleman of Honor and Integrity."

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PDF
view ]
manuscript
Complete Subscription List and Mailing for "Castine, From Hospital Island," 1855
1855
Handwritten list
Wilson Museum, Castine, Maine (A00787-1a-1d)
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letter
David Dennison receipt 1849
Joseph L. Stevens, Jr.
1849
Printed paper receipt with handwritten entries by Joseph L. Stevens, Jr.
Cape Ann Museum, Gloucester, Mass.
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letter
E. D. Knight to Joseph Stevens, Jr., Boston, 8.15.1869
1869
Letter regarding the burning of the packet ship "Boston"
Cape Ann Museum, Gloucester, Mass.

"Dear Sir, Agreeable to your request that I would write something to attach to the picture in your possession of the Burning of the Packet Ship Boston in 1830, your object I suppose more fully to establish the fact that it is really one of the early productions of our fellow townsman and afterward most distinguished artist Fitz H. Lane.

The picture was drawn the same year by Mr. Lane from a sketch I made soon after the disaster aided by one of the passengers S.S. Osgood Esq. afterward a distinguished portrait painter. Mr. Lane had made not reputation of course at this time as an artist. And probably had received no instruction. It afforded me great pleasure to present this picture to you who was so devoted to him, knowing full well tho nothing very great of itself would be highly appreciative [...] as the early work of that [...] particular friend."

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letter
F. H. Lane letter to Joseph L. Stevens, Jr.
Fitz Henry Lane
n.d.
Letter
Cape Ann Museum Library & Archive, Gloucester, Mass.

". . . will fully appreciate all that I have done in my garden, in ornamenting it, with flowers and plants, Rustic Arbours and Statues, and I only wish that you could be here to witness and enjoy his [Dr. J. L. Stevens] expressions of delight and interest, when a new flower attracts his attention, or some beauty of arrangement meets his eye. Samuel [B. Stevens of Castine] he tells me came up with the expectation of going on a voyage to Australia, but when he arrived in Boston he found the vessel with her compliment of men, and it is very uncertain if he goes in her. Your Mother and all at home are well. I yesterday made a sketch of Stage Fort and the surrounding scenery, from the water. Piper has given me an order for a picture from this point of view, to be treated as a sunset. I shall try to make something out of it, but it will require some management, as there is no foreground but water and vessels. One o’clock, it is very hot, the glass indicates 84° in my room, with the windows all open and a light breeze from the east, this is the warmest day . . .

. . . than devoting it to you. Since writing you last I have painted but one picture worth talking about and that one I intend for you if you should be pleased with it. It is a View of the beach between Stage Fort and Steep bank including Hovey’s Hill and residence, Fresh water cove and the point of land with the lone pine tree. Fessenden’s house, likewise comes into the picture. The effect is a mid day light with a cloudy sky, a patch of sunlight is thrown across the beach and the breaking waves, an old vessel lies stranded on the beach with two or three figures, there are a few vessels in the distance and the Field rocks likewise show at the left of the picture. I think you will be pleased with this picture, for it is a very picturesque scene especially the beach, as there are many rocks which come in to destroy the monotony of a plain sand beach, and I have so arranged the light and shade that the effect I think is very good indeed, however you will be better able to judge of that when you see it, the size is 20 x 33. . ."

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PDF
view ]
Gloucester Lyceum Record Book
1849
Handwritten ledger
Sawyer Free Library
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letter
Joseph L. Stevens to Joseph L. Stevens, Jr., 1856
Joseph L. Stevens
1856
Letter
Castine Historical Society, Maine

"[John] says Charles proposes to come down on Saturday—to return on Monday—so that may be so—I think of defering sending the pictures till then—it has been my intention to have sent them tomorrow. [??] went away on Monday last before I had time to have them boxed. Mr. Noyes will see to that. The have been, for a day or two, in Witherle & Co.'s store, where they were much admired—& a little remarkable, among the visitors there yesterday was Mr. King—the son of the Keeper of the Light—who was engaged in catching herring while you was at the Rock. He was very much pleased—thought it as natural as life—as it was to his recollection—having only left there a week since. He observed that he would not have believed Mr. Lane had so much in him. In case Charles does not come on Saturday how shall I direct the box—for I shall send it by express to Boston—I don't remember any thing was said about that. I hope you will come over to Owl's Head, as proposed—if so, you & Lane must come & spend one night at least. Our two teacher boarders came in the boat that took you away—but we can continue to accommodate some way or other. Mary is to leave on Monday next."

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PDF
view ]
letter
Joseph L. Stevens, Jr. to Samuel Mansfield, 10.17.1903
Joseph L. Stevens, Jr.
1903
Four-page letter
Collection of the Cape Ann Museum Library & Archive, Gloucester, Mass.

"[The painting] is offered you for $150 on as long time and in as many notes at 3% interest as you choose. . . I believe this to be the only important painting of Gloucester Harbor that Lane never duplicated. . . .Returning from a Gloucester visit while I was still under the roof there, father brought a print of Lane's first Gloucester view, bought of the artist at his Tremont Temple studio in Boston. An extra dollar had been paid for coloring it. For a few years it was a home delight.. . .I had been a few years in Gloucester when Lane began to come, for part of the time a while, if I remember rightly. He painted in his brother's house, "up in town" it then was. I recall visits there to see his pictures. But it was long after, that I could claim more than a simple speaking acquaintance. The Stacys were very kind, aiding him as time went on in selling paintings by lot. I invested in a view of Gloucester from Rocky Neck, thus put on sale at the old reading room, irreverently called "Wisdom Hall." And they bought direct of him to some extent, before other residents. Lane was much my senior and yet we gradually drifted together. Our earliest approach to friendship was after his abode began in Elm Street as an occupant of the old Prentiss [sic-corrected Stacy] house, moved there from Pleasant. I was a frequenter of this studio to a considerable extent, yet little compared with my intimacy at the next and last in the new stone house on the hill. Lane's art books and magazines were always at my service and a great inspiration and delight—notably the London Art Journal to which he long subscribed. I have here a little story to tell you. A Castine man came to Gloucester on business that brought the passing of $60 through my hands at 2 1/2 % commission. I bought with the $1.50 thus earned Ruskin's Modern Painters, my first purchase of an artbook. I dare say no other copy was then owned in town. . . .Lane was frequently in Boston, his sales agent being Balch who was at the head of his guild in those days. So in my Boston visits – I was led to Balch's fairly often – the resort of many artists and the depot of their works. Thus through, Lane in various ways I was long in touch with the art world, not only of New England but of New York and Philadelphia. I knew of most picture exhibits and saw many. The coming of the Dusseldorf Gallery to Boston was an event to fix itself in one's memory for all time. What talks of all these things Lane and I had in his studio and by my fireside!

For a long series of years I knew nearly every painting he made. I was with him on several trips to the Maine coast where he did much sketching, and sometimes was was [sic] his chooser of spots and bearer of materials when he sketched in the home neighborhood. Thus there are many paintings whose growth I saw both from brush and pencil. For his physical infirmity prevented his becoming an out-door colorist."

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photo (historical)
Joseph L. Stevens, Sr. home in Castine
George E. Collins
1871
Photograph
Maine Historic Preservation Commission (2000.24)
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letter
Joseph L. Stevens, Sr. to Fitz H. Lane, 1.29.1851
Joseph L. Stevens, Sr.
1851
Single sheet, writing both sides
Cape Ann Museum Library & Archives, Gloucester, Mass.

"My dear Sir,

I hope you will not attribute the delay in acknowledging the receipt of your splendid, and most unexpected Gift to a want of a due appreciation of it. Many reasons have consipired to prevent my doing it – unnecessary to repeat. But I can no longer defer the expressions of our warmest acknowledgements for a present in itself so valuable, and endeared to us by many associations, as a representation of scenery often admired, and which I have many times wished could be transferred to canvas, although vary far from thinking that wish would ever be gratified. You must premit me, however, to say that the Painting, valuable as it is as a work of Art, and pleased as I may be as the possessor of it, is less appreciated by us than the delicate and very generous manner in which its acceptance has been tendered. My love of Art, to which you do politely allude, I am sensible has only wanted opportunity of indulgence to have amounted to a passion. From my earliest days I have wished for opportunities to visit places, where that desire could be gratified, and my reading has only had the effect of increasing my regrets for the want of them, and of encouraging envy for those more fortunate - I feel, too, under great obligations for the Drawing of the "Siege"(1) – I had no expectations you could have produced anything so good from so rough a copy. I shall have it framed for presentation and future reference. Several gentlemen who have called in to see the painting have expressed a desire to have a drawing from you of our town, similar to yours of Gloucester, which they much admire, and of lithographs, I have no doubts copies enough could be disposed of to remunerate you. That of Homans you are aware is feebly drawn, & still worse printed. I feel desirous myself it should be done, if it suits your wishes. There are several points of view, which you did not see, & to which it will be my pleasure, next summer, to carry you. I know many of our citizens would be gratified to have this done by you. Our house we shall expect to be your home, and if, as you suggested in Gloucester, you should come in your Boat, this place could be made the rendezvous, from whence you could start to any place that convenience & inclination might dictate – . . . Permit me again to tender acknowledgements for the picture. It hangs in our parlor, & I never come in to the house, without looking in to see it, & can never cease to feel grateful for your generosity and politeness. "

 (1) Joseph Stevens was very interested the Revolutionary war event known as the "Penobscot Expedition" or the "Siege of Castine" by the British on July 25, 1779. In 1852 he handwrote an account of it and many articles are in the family's scrapbook at the Wilson Museum in Castine.

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chart
Stevens Family Tree
Stephanie Buck
2007

Appendix G: Family Trees, in Sarah Dunlap and Stephanie Buck, Fitz Henry Lane: Family and Friends (Gloucester, MAChurch & Mason Publishing; in association with the Cape Ann Historical Museum2007), 164–66.

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manuscript
Trask's Rock
Joseph L. Stevens, Jr.
c. 1855
Personal notebook
Wilson Museum, Castine, Maine

Note about historical importance of this Castine landmark: "On Saturday afternoon, August 11, 1855, with my friend the marine artist Fitz. H. Lane of Gloucester" visited Trask's Rock

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PDF
view ]
manuscript
Will of Fitz H. Lane
FItz. H. Lane
October 3, 1865
Essex County Probate Records, Volume 424, Leaves 34 & 35

The will disposed of Lane's property (including watch and diamond breast pin), his monetary assets, and gave to the city of Gloucester a painting of the Old Fort. Joseph Stevens, Jr. and T. Sewall Lancaster were named executors. It was signed by Lane on March 10, 1865.

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PDF
view ]
manuscript
William Witherle Diary August 16–21, 1852
William Witherle
1852
Personal diary
Wilson Museum, Castine, Maine (A00060-1a-1h)

Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.

 

Excerpts of the diary include:

August 16: "Lane has a knack for frying fish."

August 17: "leaving Lane to take a sketch, we took a climb."

August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."


The entire text is transcribed in an account published by the Wilson Museum.

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Marks & Labels

Marks: Inscribed upper left (in red ink): 42 [numbering system used by curator A. M. Brooks upon Samuel H. Mansfield's donation of the drawings to the Cape Ann Museum]

Exhibition History

No known exhibitions.

Published References

Cape Ann 1974: Paintings and Drawings by Fitz Hugh Lane, fig. 86.

Related historical materials

Cape Ann Locales
Flags, Lighthouses, & Navigation Aids
People
Citation: "Little Good Harbor Beach from the Western Upland, 1861 (inv. 152)." Fitz Henry Lane Online. Cape Ann Museum. http://fitzhenrylaneonline.org/catalog/entry.php?id=152 (accessed October 23, 2020).
Record last updated December 27, 2015. Please note that the information on this and all pages is periodically reviewed and subject to change.
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